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Clara Bow's Love Story — Continued from page 23
Lyon, George O'Hara, director Victor Fleming, and Garrett Fort, the scenario writer. But despite all their protestations of affection it remained for Harry, of the good old Newark Rcichman family, to sing the love song the words and music of which charmed a $10,000 diamond right on the third finger of her left hand.
Clara's been fandom's pal for what seems like a long time. But Harry needs further introduction to the lads and lassies who pay the film freight. More even than that already vouchsafed him by the red-hot Cinema Cinder.
'Way back in 1913 Harry was 'beating a box', as they say, in western cabarets. He must have been an awful pest to the neighbors as a kid. For no one can play a piano a la Richman without fingering those scales a lot of thousands of times. Drifting from this to that, he finally ended up in California, presumably because there is an ocean there that stops further progress unless you're a channel swimmer. It was here and there for Harry. He once played in a stock company distinguished by the presence of Richard Dix. At another time he appeared with Marjorie Rambeau and Willard Mack. Vaudeville brought him back to New York, and left him there.
Harry entered a musical comedy. The funniest thing about it was the title, "Have You Seen Stella?" Harry hadn't. And the show flopped. So he read a flock of success stories about trying-again and stickingto-it, then went out and got a job as accompaniest for — you'll never guess, so I may as well tell you — Mae West. Yep, "Diamond Lil," herself. This seems to have been a turning point in his career. Later he worked with and for the Dolly Sisters and Nora Bayes, and other big numbers. Another crisis came with the advent of radio. He built an enormous following over the ether waves, and was smart enough to capitalize this popularity by night-club work. Shortly he became a sensation. You've heard him, surely, crooning King For a Day, Muddy Waters, for which he wrote the music, Will You Remember Me, of which he wrote the lyrics. Laugh, Cloum, Laitgh and a dozen other hits.
Unlike Clara, Harry has been Through It All once. The 'Flame of Filmdom' has never yet been wed. But Harry tried with Yvonne Stevenson back in 1918 — and failed
in 1922. The marriage took place in Santa Ana, California. And, prophetically perhaps, the divorce was granted in dear old Brooklyn.
The cave man stuff won Clara, Harry avers, shaking the slave bracelet she gave him back off his wrist to smooth the waves in his hair. It may be so. But there must be more than that, for the Hollywood lovers are not laid out in lavendar.
"She was used to being 'yessed,' " Harry explained to enquiring reporters. "I no-cd her, said what I pleased. The first time I 'phoned asking if I could call, she said I couldn't."
But did that stop him? You don't know Harry. He just answered:
"Fine, I'll be over in ten minutes."
And upon the word of Newark Reichman he declares for publication that he kept his promise. And not only that, but —
Fifteen minutes after his arrival he had persuaded her to marry him!
Clara has the ring. And Harry has the slave bracelet. You can't imagine what it says. Just listen!
"To Harry of my Heart . . . Clarita."
So there you are!
Harry says it's not quite certain, but it's highly probable that when Clara's Paramount contract expires she'll retire from pictures to be 'a good house-wife ! And if you want more news to talk about at breakfast, the date is set as some time prior to September 12. Harry insists that he and the Little Woman sail for an European honeymoon on that date!
It's not so improbable as it sounds. Months back Clara threw a scare into Hollywood by saying she was sick of it all, that she wanted to live like other girls: to get married, and have babies.
"She's needed a boss for a long time." says Harry. "And I am going to be that boss!" Does Clara love it? Well, it looks that way.
Editor's Note: SCREENLAND is not making any rash promises that the Clara BowHarry Richman romance will still be flourishing by the time you read this. On the other hand, Clara may become Mrs. Richman any time now. At any rate, as we go to press the romance is the chief topic of conversation along Broadway, N. Y., and Hollywood Blvd., so we thought you'd like to know about it!
A Queen of Kings — Continued fro??? page 71
motion pictures. But we were too absorbed in our new life to pay much heed to mundane matters. Instead of considering the silent screen Carlotta continued to study for an operatic and concert career.
This devotion to her work has been characteristic of Carlotta since I have known her. It is for this application to the task she set for herself that I sincerely admire her. Not that she had no time to spare for friends or for play. A few loyal friends and the right amount of play keep a healthy balance in the artist's life. While we enjoyed the theater and opera together, our real work was never lost sight of. Carlotta gave her working hours to mastering the lieder of Schubert and Schumann, to polishing her French, German and Italian. With all this she cheerfully kept her home cosy and comfortable. No 'home-body' of a
wife wholly devoid of artistic leanings could have made home half as comfortable for me.
It is easy enough to be photographed in one's kitchen or pantry, making biscuits, or helping mother with the lemon pie. With the aid of cleverly contrived pictures you can fool most of the public. But true love of home is inborn, and cannot be affected.
It is difficult to give the public a husband's slant, so to speak, on Carlotta King, becau.se I do not think of myself as a typical husband. We have never settled down in the fullest sense of the term. Perhaps we never shall. We still mill about and continue pals, and criticize each other as we see fit. Incidentally Carlotta King's criticism has helped me to some of my best work. She knows my best efforts from my