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for May 19 30
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a film patcher in the D. W. Griffith cutting rooms. Today, she puts together some of the biggest films in the industry. Miss Sewell, a minister's daughter from Oklahoma City, began her career by cleaning and splicing negatives during high school vacations. To her skill with the scissors belongs a large share of the credit for the beauty of many of the largest pictures which have come from Hollywood.
Peggy Coleman, a Philadelphia girl, is chief nurse for this studio. With a long record of overseas war service, Miss Cole
man drifted into studio work when she came West for her health. She directs the studio hospital and looks after the ailments of the famous folk of the films.
There is a place for every sort of training, for every kind of intelligence in this far-reaching movie field. It is little wonder that Hollywood has proven a Mecca for ambitious girls from every country in the world.
The stars may come and the stars may go, but the girls behind the stars go on forever.
'Gaily' Grows Up — Continued from page 66
Broadway can spend most of their time on the 'Gay White Way' and no one gives a hoot. If a motion picture star spends more than one night a month in such places, there is a yell of scandal. Dad told me I couldn't mix such pleasures with a career and I believe him. I want a career. The pleasures can come afterwards."
Despite her antipathy to night life, Joan is no prude. She early learned that things of which she did not approve might be acceptable to others. Abhorring gossip, she is always ready to sympathize with anyone who has been slandered or made a victim by Dame Rumor. 'Little Gaily' does not mince her words in defending friend or foe and frankness of speech has lost her several acquaintances, but never a real friend. Those who know her best respect Joan's sincerity. For the others, she cares not one whit.
There has been no scandal connected with her name. Furthermore, she is one of the very, very, few young girls in pictures who has never been reported engaged or madly in love with some man. For this, Joan is thankful as she believes that men. like pleasures, should come after her ambition.
A wonderful transformation has taken place in the timid little blonde I met when she came to Hollywood for Ronald Colman's first talkie. The shyness which caused her first interviewer to proclaim Joan 'dumb' has been superseded by wonderful self-poise. Even then she wasn't so dumb. He simply scared her to death by asking that she speak of herself. There would be no trouble in obtaining a whiz of an interview now for Joan discourses fluently about her past, present and future in approved Hollywood fashion. There is no more brilliant conversationalist in pictures than 'Little Gaily' — when she wants to be. If not disposed to talk, no clam could possibly close up tighter.
Through her screen characterizations, 'Little Gaily" has moulded her private self. She adopted her motion picture walk for the street and thereby added to her gracefulness. In "Bulldog Drummond" she stalked on and off the screen, but since that picture Joan glides into a production in a way that would do credit to Alice Joyce. Mannerisms none too becoming have been dropped and others more suitable adopted. Even 'Little Gally's' original bob has been made over and she now wears her tresses coiffured to suit her individuality. Really the three P's — Push. Pluck and Personality have made Joan a woman well worth knowing.
Although her screen characterizations are usually of the 'clinging vine' type, there's nothing 'clingy' about Joan. She is the most independent little person you ever heard of. Even icemen take off their
hat in her presence and tender the proper change. Although she likes everybody and hopes everybody likes her, 'Little Gaily' asks no advice in running her business. It is always welcome — provided it suits her to take it. Otherwise the advice goes into one ear and rapidly out the other.
By signing the contract she has with United Artists, Joan proved her business ability. Under its terms she is allowed to sell her services to other companies when not making pictures for her own. All she is able to get in excess of the salary paid her by United Artists is split fifty-fifty between that company and herself. As she has made .several productions on foreign lots, this amounts to no inconsiderable amount.
Being economically inclined, 'Little Gaily' budgets her overhead. One servant takes care of everything about her house and she drives her own modest little coupe. There are no expensive parties held at the Bennett home. While she entertains her friends frequently, the refreshments are inexpensive though wholesome. Her one extravagance is bridge and, as she plays the game rather well, it costs her little.
There is nothing high hat about 'Little Gaily' although she might easily have become so. Thanks to her good common sense, she is everything else but. Joan doesn't even take all the credit for her success, claiming the great players with whom she has been cast deserve most of it. Probably they did help her a lot, but no one could convince me most of it is not due to her own efforts. Whoever gets it can congratulate themselves for she has come to the front faster than any girl in pictures.
I have tried to write something of what I know about Joan but there is a lot which could be added. For instance, she is not a shining example of luck or pluck, but just one of the kind of girls who are now coming into pictures. The day of riotous living is past and those who come to Hollywood thinking to combine pleasure with business had best return home on the first train. They are not wanted in pictures and have no chance for success.
It usually takes years to train a star, but that honor has come to Bennetts 'Little Gaily" within fourteen months. United Artists have announced her stardom and the title of her first vehicle. Joan's screen history belongs to the public, but her future belongs to herself. She has the ability and I, for one, believe she will take advantage of it. Ronald Colman. George Arliss and Harry Richman. all of whom she has supported as leading lady, are willing to gamble her first starring vehicle will be a pronounced success.
Meanwhile her dad is pulling for her steadily. Though she is now a grown-up. deep down in his heart he still thinks of Joan as 'Little Gaily."
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