Screenland (May-Oct 1931)

for May 19 3 1 Stage In Review EjlS V Cnntinued frnm. tiao-p (i5 Continued from page 65 and wind in his pocket — Maggie Gautier, alias Caniille, came back with a bang down on Fourteenth Street at the Civic Repertory. A bang? — it's one of the season's sellouts ! Which shows that Love, Youth and Romance have not yet gone to the electric chair. It's a healthy reaction against the sophisticated and the wisecracking. Eva LeGallienne put on a splendid Camille — in fact, one of the best Caimilles of the American stage : she made up perfectly as the Second Empire's Wisecrack in Decay, took Love on the chin like an old trooper when it blew in the door in the person of Armand Duval! gave him up with really some good old-time pathos, and finally when she died I myself, old Broadway runabout, felt something in my throat. Dear old Mag Gautier, long may she die, and die, and die ! The rest of the" cast couldn't keep up with Eva. Ben-Ami as Armani's swell and moral pop was too phonographical. Morgan Farley as Armand was icebergy. "You Said It" Jack Yellen and Lou Holtz wrote a rompy, bumpy, fast-running college musical show called "You Said It," featuring Lou Holtz himself and Mary Lawlor and Stanley Smith. But as there hadn't been a miracle on Broadway for some months, the gods ordered one right out of the presto-box of this show. For the next morning along the Rialto and as far south as the Empire only one word was heard — "Roberti !" The conductors on the Forty-second street crosstown cars mumbled "Roberti." Wires poured in from the coast to Roberti — and the little girl's salary — Lyda Roberti is her name — jumped from $200 to $1,500 a week (I have those figures from her manager). This gangling, dangling, blondish, rather plainish-looking young woman stopped everything with her Polish variations on Sweet and Hot. Now "You Said It" is all Roberti. Hollywood will be wanting her. A glimpse of a moving picture actress eating her breakfast. 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