Screenland (May-Oct 1931)

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for J uly 1931 115 The Rainy Thursday Girl Continued from page 66 ing for "Barbara." Helen remembers that she stood in the alley by the stage door while her friend went inside. A man bundled up to the eyebrows who looked as though he were freezing to death stopped as he was entering the stage door. He shivered as he saw her half socks and short little mackinaw and told her to step inside out of the wind and the rain. "I found out afterward it was Arthur Hopkins. He hated the cold and the rain. After he had talked to half a dozen children he called me over and asked me how I would like to play in 'Barbara.' " Helen told him, she couldn't, thank you, because she was going to have tea with her mother. "Come tomorrow and bring your mother," said the producer. So Helen became an actress and found it so entrancing that it wasn't long before she knew her way around to all the theatres and would dicker for jobs like an old-timer. "I was always most ambitious on rainy days. I'd let whole weeks of sunshiny days go by and never bother about going out to look for jobs. But let it start raining and I would dig up my old coat with the moth-eaten collar and start out to conquer the world. When there was a whole stretch of rainy weather I would have so many jobs lined up that I would make my little brother take one of them. Oooh, how he used to hate me for that ! He didn't want to be an actor in those days." Helen remembers when she was about eleven years old she played in Rex Beach's "The Barrier." There was a little boy and a little girl role in the play. "I liked the boy's role best so I persuaded my little brother Leland to play the girl's part. He did it under duress and gave me a big hoot when the first night notices came out and the critics had me credited with the girl's part and he the boy's !" When "The Wild Duck" was to be staged in New York Helen set her heart on a part in it. She was fifteen and just at the age, she said, when her hair seemed suddenly to go straight and she looked just like every other little girl of fifteen. In despair at the long, lanky locks, her mother did them up in rag curls. "I wailed when I looked at my fuzzy head. On the way to the theatre the dampness frizzed up my hair worse than ever. I looked like a blonde pickaninny. It surprises me yet that I got the part." As little Hedwia in "The Wild Duck" Helen received splendid notices without an exception. During the years that followed, Helen played with John Barrymore in "Richard the Third" and with Lionel Barrymore in "Macbeth." She was the original Marjorie Jones in "Penrod." "The Constant Nymph," "Hamlet," "Faust," "The Silver Cord," and "Mr. Pirn Passes By" further established her ability in dramatic work. Helen was a student at the Professional School for Children when she got her first picture work. It was in Allan Dwan's "The Music Master." 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