Screenland (May-Oct 1931)

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Robert Allen George Arliss John Barrymore Richard Barthelmess Joan Blondell Joe E. Brown James Cagney Ruth Chatterton Bebe Daniels Claudia Dell Irene Delroy Doug Fairbanks, Jr. Gladys Ford James Hall Walter Huston Leon Janney Evalyn Knapp Fred Kohler Laura Lee Winnie Lightner Lucien Littlefield Lotti Lodi Ben Lyon Dorothy Mackaill David Manners Marilyn Miller Mae Madison Ona Munson Marian Nixon Dorothy Peterson Walter Pidgeon William Powell James Rennie Otis Skinner Polly Walters H. B. Warner Edward Woods Loretta Younar Frank Albertson Hardie Albright Luana Alcaniz Robert Ames Warner Baxter Rex Bell Joan Bennett Humphrey Bogart El Brendel Marguerite Churchill Joyce Compton Donald Dillaway Fifi Dorsay Sally Eilers Charles Farrell John Garrick Janet Gaynor Warren Hymer Richard Keene J. M. Kerrigan Elissa Landi Marion Lessing Cecelia Loftus Edmund Lowe Myrna Loy Sharon Lynn Jeanette MacDonald Kenneth MacKenna Mona Maris Victor McLaglen Thomas Meighan Conchita Montenegro Lois Moran Greta Nissen George O'Brien Sally O'Neil Maureen O'Sullivan Will Rogers David Rollins Rosalie Roy Lee Tracy Spencer Tracy John Wayne Majorie White Hoots and Hoorays Continued from page 97 Kent Taylor was so good in some one else's screen test that he got the job. THE PART'S THE THING Apparently a great deal of the harsh criticism of various stars' performances is due to mis-casting rather than lack of ability. Witness Robert Montgomery's failure to register satisfactorily in the last Garbo picture. It's my personal opinion that Mr. Montgomery's talent lies not in romantic roles, but in character studies. Behold his very excellent performance as the coward in "The Big House." An example of perfect casting is Janet Gaynor's portrayal of Judy Abbott in "Daddy Long Legs." It is fairly obvious that nearly all the stars have marked acting ability ; and it behooves the producers, the directors and the fans to co-operate with them, so that they may receive the proper vehicle to best display their talents. Jean Titus, 150 Park Avenue, Washington, Pa. 'RAY FOR "CIGARFACE"! This is a tribute to that superb artist, Edward G. Robinson, for his precious gift of artistry in at least three characterizations : Tony in "A Lady to Love," Rico in "Little Caesar" and Nick in "Smart Money." Not a single gesture or mannerism is repeated in another character. Each is perfect — and who can criticize perfection ? In case the fans are interested, I have seen Mr. Robinson many times in person — always with his cigar. He wouldn't look natural on the screen without it ! Grace Shaver, 1756 Wilcox Ave., Hollywood, Calif. STOP! 'TWOULD BE TOO TERRIBLE! I wonder what would happen if : Charlie Chaplin should make an all-talking picture ; Anita Page should ditch the old folks ; Little Dolores Ethel Mae Barrymore shouldn't prove to possess theatrical talent ; Joan Crawford should gain ten pounds ; Marie Dressier should stop "stealing" pictures ; Lilyan Tashman and Connie Bennett should ever look dowdy. Mrs. C. R. Curtis, 430 West High St., Lexington, Ky. A BIG HAND ACROSS THE SEA Talkies have accomplished much in bringing into prominence the character actor, and I believe that Screenland has been instrumental, by constantly fostering interest in lesser known players, in very considerably raising the standard of public approval of the finest acting. When one thinks of all that character actors have created, without benefit of special