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120
SCREENL AND
YOU CAN,
BE BEAUTIFUL/
Write to the Stars as follows:
Continued from page 98
I do two things. I correct every defect. I develop hidden beauty. My startling results with more than 100,000 women prove that "JJIml vm any one can be given beauty. No matter how X %%bL&^ hopeless, write me. My way of making women * over completely is amazingly different. Thousands write me that results are almost beyond belief. Yet every Lucille Young beauty aid is Bcienti6c — known to act for all alike. That is why I can guarantee your absolute satisfaction. Not a penny to pay unless I give results you say are marvelous.
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You can try all of my beauty aids-^>p just the ones you need moat — absolutely •without risking a -penny. I want you to make me prove that I can take any degree of homeliness and i rapart beauty instead. . , or take some prettiness and i mpart stunning Oood looks. I will send you everything to try my beauty aids full two weeks. There are no conditions, strings, excuses. You are the sole judge. If not delighted, you just eay so — and your word is final.
And I Teach You Fascination
Your physical beauty is not all. I give you, too; the innermost secrets of fascination. I disclose this priceless art in my sensational book "How to Fascinate Men." In an hour you will learn marvelous things you could not discover yourself in a lifetime. You will learn how the world a make men their helpless slaves, learn to win love, to control men, to pick and choose at will. These secrets are free to every woman with her free trial of my beauty aids. Remember, you havo everything to gain — absolutely nothing to ose. So TODAY—
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LUCILLE YOUNG, 554-A Lucille Young Bldg., Chicago, III. Absolutely without obligation on my part, send your wonderful FREE OFFER and Booklet. This coupon only tells you I am interested. It does not commit me in any way.
Name
Street
City State
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Kenton Pharmacal Co.. Depl. GG-3. Brownslone Bldg.. Covington, Ky.
Canadian Address, Windsor, Ont.
DON'T HAVE GRAY HAIR
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TINTS GRAY HAIR ANY SHAOE
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1
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Signet Stationery Co., S2, Binghamton.N.Y.
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Paul Rieger & Co., (Since 1871) 137. 1st St., San Francisco, Cat
Warner-First National Studios, Burbank, California.
Fox Studios, 1401 North Western Avenue, Hollywood, Cal.
Robert Allen George Arliss John Barrymore Richard Barthelmess Joan Blondell Joe E. Brown James Cagney Ruth Chatterton Bebe Daniels Claudia Dell Irene Delroy Doug Fairbanks, Jr. Gladys Ford James Hall Walter Huston Leon Janney Evalyn Knapp Fred Kohler Laura Lee
Winnie Lightner Lucien Littlefield Lotti Lodi Ben Lyon Dorothy Mackaill David Manners Marilyn Miller Mae Madison Ona Munson Marian Nixon Dorothy Peterson Walter Pidgeon William Powell James Rennie Otis Skinner Polly Walters H. B. Warner Edward Woods Loretta Younar
Frank Albertson Hardie Albright Luana Alcaniz Robert Ames Warner Baxter Rex Bell Joan Bennett Humphrey Bogart El Brendel Marguerite Churchill Joyce Compton Donald Dillaway Fifi Dorsay Sally Eilers Charles Farrell John Garrick Janet Gaynor Warren Hymer Richard Keene J. M. Kerrigan Elissa Landi Marion Lessing
Cecelia Loftus Edmund Lowe Myrna Loy Sharon Lynn Jeanette MacDonald Kenneth MacKenna Mona Maris Victor McLaglen Thomas Meighan Conchita Montenegro Lois Moran Greta Nissen George O'Brien Sally O'Neil Maureen O'Sullivan Will Rogers David Rollins Rosalie Roy Lee Tracy Spencer Tracy John Wayne Majorie White
Hoots and Hoorays
Continued from page 97
Kent Taylor was so good in some one else's screen test that he got the job.
THE PART'S THE THING
Apparently a great deal of the harsh criticism of various stars' performances is due to mis-casting rather than lack of ability. Witness Robert Montgomery's failure to register satisfactorily in the last Garbo picture. It's my personal opinion that Mr. Montgomery's talent lies not in romantic roles, but in character studies. Behold his very excellent performance as the coward in "The Big House."
An example of perfect casting is Janet Gaynor's portrayal of Judy Abbott in "Daddy Long Legs." It is fairly obvious that nearly all the stars have marked acting ability ; and it behooves the producers, the directors and the fans to co-operate
with them, so that they may receive the proper vehicle to best display their talents.
Jean Titus, 150 Park Avenue, Washington, Pa.
'RAY FOR "CIGARFACE"!
This is a tribute to that superb artist, Edward G. Robinson, for his precious gift of artistry in at least three characterizations : Tony in "A Lady to Love," Rico in "Little Caesar" and Nick in "Smart Money." Not a single gesture or mannerism is repeated in another character. Each is perfect — and who can criticize perfection ?
In case the fans are interested, I have seen Mr. Robinson many times in person — always with his cigar. He wouldn't look natural on the screen without it !
Grace Shaver, 1756 Wilcox Ave., Hollywood, Calif.
STOP! 'TWOULD BE TOO TERRIBLE!
I wonder what would happen if :
Charlie Chaplin should make an all-talking picture ;
Anita Page should ditch the old folks ;
Little Dolores Ethel Mae Barrymore shouldn't prove to possess theatrical talent ;
Joan Crawford should gain ten pounds ;
Marie Dressier should stop "stealing" pictures ;
Lilyan Tashman and Connie Bennett should ever look dowdy.
Mrs. C. R. Curtis, 430 West High St.,
Lexington, Ky.
A BIG HAND ACROSS THE SEA
Talkies have accomplished much in bringing into prominence the character actor, and I believe that Screenland has been instrumental, by constantly fostering interest in lesser known players, in very considerably raising the standard of public approval of the finest acting.
When one thinks of all that character actors have created, without benefit of special