Screenland (Nov 1934-Apr 1935)

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Sha m poo and color your hair atthesametime with new French discovery "SHAMPO-KOLOR," takes few minutes, leaves hair soft, glossy, natural. Permits permanent wave and curl. Fiee Booklet, Monsieur L. P. Valligny, Depl. 20, 254 W. 31 Si., New York fll^iene IKeaire l (40th Yr.) Stage. Talkie. Radio. GRADUATES: Lee Tracy. Fred Astaire. Una Merkel. Zita Johann, etc. Drama, Dance, Musical Comedy. Teaching, Directing. Personal Developement, Stock Theatre Training (Appearances). For Catalog, write Sec'y LAND, 66 W. 85 St., N. Y. Here's a paper to hit the flies with. How long do you think we can live in this heat?" 1 may say I managed to live exactly half an hour — but I don't know how I managed. When I ruse to go, a red dress of Myrna's, which J had been leaning against, was all over the back of my white one. I don't think the stain will come out. I have something to remember Myrna by. But in all that heat, and all that smell, and all that decollete, Myrna still had her glamor. And glamor at 116 in the shade is really something to get excited about. I was all for getting Myrna excited over it, too, but Myrna said she was too busy mopping perspiration and swatting flies, and wouldn't I rather interview her some time when it was cool and there were burning logs in the fireplace and we could have tea. Myrna is a smart girl— she never gives an interview today she can put off until tomorrow ! She Had to Come Back Continued from page 31 the transition from silents into talkies with flying colors. Probably the most accurate guess is that her beginning in slapstick comedies was less impressive to the studios than the Broadway backgrounds of the New York stage imports. At any rate three years ago, strangely, came a gradual slowing down. She was called for less and less parts. "For nine months I heard nothing from Mr. Levee. And then he arranged for me to do a bit in 'Wonder Bar.' " A bit for Fazenda, who still was receiving voluminous fan mail, and who was identified by countless film-lovers as an integral figure in the Hollywood panorama ! It is almost unbelieveable, but the script provided Only four lines for her ! An experienced trouper needs just a fighting chance. I recollect when, after Louise had started slipping, she refused to compete for a fine part in order that another actress, to whom the job was more imperative, would get it. That incident will never be publicized. However, Louise owes a debt of gratitude to Ruth Donnelly and she is anxious publicly to thank Ruth for her kind deed. "You will remember," says Louise, "that Ruth Donnelly and I worked together throughout our scenes in 'Wonder Bar.' I'd never met her before, but as we walked onto the set on the first day, she turned to me and said, 'Look here. My character is the one that has stand-out possibilities. I'm under contract and you aren't. You need a break, so we'll switch parts !" They did and this will be the first time anyone else besides the scenarist knows they did! Louise's natural wit makes her an expert at ad-libbing. It didn't take the director long to sense that she could add much to his picture. It was cluttered up with glamorous stars, but he recognized that her individual comedy touches would be a great asset. None of her lines was written for her! They started the cameras grinding and Louise said whatever popped into her mind as apropos. This spontaneous humor had everyone in gales of laughter during production. There isn't an ounce of conceit in Louise. I was at her home most of the day preceding the Hollywood premiere of "Wonder Bar." She assured me, and she believed her words, that it was merely another bit and wouldn't mean a thing. That Heals Pyorrhea Trench Mouth or Money Back! BEFORE Picture shows Mr. Rochin before and after using P. T. M. Formula. He says: "I have used P. T. 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