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film was made on the moors last autumn but in the middle of it the rainy season began, bringing the mists that stay until Spring; so the unit had to pack up and come back to town, and only in June will the days again be clear and sunny enough for work to be resumed.
Douglas's director, Raoul Walsh, gave a little party at his London apartment the other evening and most of the visiting Hollywoodians attended. Ruth Chatterton and Mary Ellis were there, along with Xeil Hamilton and Otto Kruger and dark saturnine-looking Victor Jory. Rene Ray and June Knight looked in too.
A rumor that Garbo was in London startled the newspaper reporters last week. When they rushed along to the address at which the star was said to be staying they found a tall slim blonde with a deep voice so amazingly like the Swedish Sphinx in every way that she had to show them her personal papers to prove her identity. She was Marta Labarr, Americanborn French actress, come to play in a dramatic film called "Second Bureau.'" Her resemblance to Garbo does not particularly please her. People gasp and exclaim wherever she goes, though she does her hair as differently as possible and tries to dress the opposite style too.
Marta started her career on the Paris stage, acting a small part in a comedy in which Simone Simon starred. When Simone was ill, Marta deputized in the leading role and Simone's rapid recovery was said to be little short of a medical miracle. Some months later, Simone was appearing in another play and decided to have an ' operation. The manager sent for Marta — and Simone considered her operation could wait. Though it wasn't really arranged so simply as that, because both girls have the true Gallic temperament, passionate and turbulent.
Marta goes to Hollywood later in the summer, having attracted the attention of Twentieth Century-Fox. I wonder what Simone will say to her if they happen to meet at the studio !
Take-a-Chance Stewart
Continued from page 63
Ted Allen has invented a gadget that will set off the flash at the same time }rou move your shutter.
"The place to get unusual effects is in the dark room. We print all our own stuff. Did you know you can mottle a print with your hands ? You get a paper negative first. That is, you have the film up about here on your enlarger. That throws the print on the paper down here. Then as you print it, you do your stuff with your fingers between the two and make the shadows you need in the right places.
"Y'ou can get trick "stuff in the dark room, too. Print an upright figure just as it appears, then shift the film and get him bending to the side, both on the same print. It's very spectacular if you get just the right angle.
"Y'ou can blur a print just enough to give it a spooky effect, too. Soft-focus stuff is fun, if y-ou have the right sort of picture."
Jimmy sometimes uses a home movie camera, but he says it doesn't give him the same thrill.
"There's been stuff printed about my 'discovering' a girl for the 'Born to Dance' picture," he recalled. "It was an accident. I was down at the beach one day with the movie camera. I saw a bunch of girls running in and out of the water and dancing
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