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ITI RTCH ED IME-UP
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Delight Evans' Reviews on Pages 52-53
USE IRRESISTIBLE PERFUME
14
One Night in Lisbon— Paramount
Fred MacMurray, if he will pardon the word, positively effervesces in this, his best role to date. He captures Madeleine Carroll's heart at first sight. Fred is a reckless American who ferries bombers to England. Madeleine, strong on conventions, is bowled over by his verve. While the dialogue is breezy, there is a decided let-down when the presence ot Patricia Morison is brought in. The tinge of propaganda won't spoil your fun.
That Uncertain Feeling— United Artists
Can the eternal triangle have any new angles? The answer is Yes. Definitely! Jill Baker (Merle Oberon) is discontented over her marriage lot ; her husband (Melvyn Douglas) takes her for granted. This causes Jill mental anguish which results in an embarrassing affliction — hiccups. She consults a psychoanalyst. And so Burgess Meredith comes into her life. In steps the triangle. The three stars display a luscious sense of comedy. See it!
The Singing Hill — Republic
Tragedy is about to befall the ranchers who use the Circle R's free grazing land, because the owner, beautiful, peppertempered Jo Adams (Virginia Dale) negotiates the sale of her property. Gene Autry, foreman of the Circle R, tries to reason with Jo, but she remains unmoved. Eventually she comes to her senses. Miss Dale is attractive foil for Autry. Personality-kid Mary Lee and Gene sing a few pleasant ditties. Good warm weather fare.
Reaching for the Sun — Paramount
From the realistic novel, "F.O.B. Detroit," emerges the sprightly and sentimental screenplay of the romance between a backwoods boy. and a town girl — satisfactory entertainment if you never read the novel, disappointingly shallow if you did ! Joel McCrea is fine as the boy who rebels at the routine in a factory and wants to return to the wide open spaces — and eventually wins. Ellen Drew is charming as his wife. Eddie Bracken's comical.
Rookies on Parade — Republic
Yep, folks, it's about the draft — 69 minutes of it — which is a bit of all right. Trouble comes double to songwriter Bob Crosby when, first, pretty Ruth Terry jilts him at the altar; and, second, when his musical is about to be produced he and his side-kick, Eddie Foy, Jr., are made reluctant rookies. Ruth, who can really put over a song, and Marie Wilson patriotically become camp hostesses. What follows is tuneful, danceful and skitful.
SCREENLAND