Screenland (May-Oct 1942)

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Comes in a smart pastel compact. Effective on chin, cheeks, upper lip, arms and lep:s. No stubbv re / growth. Enough for m FULL S E A S ON ■ S USE1 Send only $1.00, we £ pay pootag-o. Or <■ W C.O.D. plus few cents postage. Sent sff by return, mail in sealed plain wrapper. IASTS \ MONTHS POSTPAID 6>r $8 00 lectfer's VELVATIZE the viola. And it was strange how it was Tessa's theme which was the different one, the one that didn't sound like Lewis' music at all, the theme which had melody and tenderness. They had just begun to play when Sanger called him from the studio upstairs. "You — you wrote that?" the old man asked when Lewis came up. "It's nothing at all," Lewis shrugged. "Sugar candy." Sanger looked at him curiously. "You're ashamed of melody, aren't you?" "I have no gift for it," Lewis answered. "But that is very nice," Sanger nodded, listening to the music coming from below. Suddenly his hands fell on the piano and he began to play the moving, tender music written for Tessa. "If you had something like that in your symphony you wouldn't have failed. If I could only make you understand !" Lewis felt that surge of confidence Sanger always could inspire in his fellow musicians. "What would you make of it?" he asked. "A love scene in an opera." The man began playing the theme again. "A symphonic poem — anything you want." He glanced out of the window then. "The sun's going," he said. "Yes," Lewis said lightly. "If that mountain wasn't in the way we'd have it for another hour or more." "Why don't you move it ?" The slow smile came to Sanger's lips. "The night comes too soon with it here. It shouldn't take you long." "Where should I move it to?" Lewis grinned. "Over my grave." The old eyes closed. "I'd like a mountain for a monument." Then almost as if he were speaking to himself, his heavy words came : "Children, wives, poverty, muddle, more children, more wives. If I'd only known when I was your age what a life like this can leave behind !" "And a lot of very great music," Lewis added gravely. "Very few have thought so," Sanger demurred. "They will," Lewis said with quiet conviction. "They'll know." "And what will happen to the children when I'm gone?" There was anguish in Sanger's voice now. "Lewis, I'm helpless. I haven't even got twenty pounds. If something should happen to me, look up the Churchills in England. Get them to something about the children." Sudde he aroused himself. "Go on now. Ask K to bring me some more brandy. You kr she steals the bottles when I'm asleep, fore they are empty, and only when I really giddy spells does she pop out \i them from nowhere. She's a very domint ing girl, Kate. Go now." Trigorin had taken Toni's place at piano when Lewis came downstairs ag. That was because Fritz Bercovy had co Fritz, the gentle little Bohemian, \ loved all the good things of life, girls ; food and fun and now that the one the; he had owned had expanded into a str of ten, he could have all of them. But had decided it was Toni he wanted m than all the rest and Toni, for all t she loved to tease and flout him, hat new way of looking at him lately. Tessa too had left her viola and ^ standing beside the piano. "The strings broken and I haven't any more," she plamed. "I'm going to try and sing it. "You'll ruin it," Lewis protested. "I can try," Tessa said and then began to sing, her words coming in st; , "beauty, for it was of death she sang, de and a love that lived after death, and e though she was looking at Lewis as sang, he saw nothing deeper than Sanger genius that was in her as it war all of them. "Tessa," he said as she finished, " sang it beautifully." They weren't the words she longed and her eyes filled with tears as she tun and left the room. And Lewis didn't kn why but after that first moment of hesition, he followed her. _ He caught up with her on the mounta1 side, under the wayside shrine. It was j at dusk and Tessa seemed a part of wild unearthly beauty, a dryad who longed here among the rocks and the 1 trees and the wild flowers crowding grass. "It's getting dark," Lewis said. "Wt I see dark things and trouble, I alw; want to run away from them." "Then," Tessa turned away, "you'd b ter run away from me, I think." "I couldn't ever run away from yo Lewis said quietly. "You're a graceless lit baggage and so strangely innocent, you' got to be protected." "My heart is a very simple heart," Tesj said. "Don't you think that's protection? Mouse of Lechler, Dept. 159, 560 Broaaway, New York City 86 Joseph Cotten, co-starring with Dolores Del Rio in "Journey Into Fear," Orson Welles' production, is shown with Linda Brent, who portrays a night-club girl in the film. SCREENLAND M