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ROAD TO M O ROCCO — Paramount
Bing and Bob have hit the road again. This time it leads to Morocco where they meet Dorothy Lamour, a princess, and very seductive in Oriental raiment, who throws over her sheik for Crosby and Hope. If you liked the other "Road" films, don't miss this — it's funnier than the first two. It's tuneful ; gay ; has good gags, with Bob and Bing stopping to kid themselves and the film. You'll like Binges songs and Bob will have you in stitches when he plays Aunt Lucy's ghost. It's the picture that will put you in a cheery mood.
PANAMA HATTIE — M-G-M
The film version of the Broadway hit musical has Ann Sothern as Hattie, Canal Zone entertainer, w'hich is not unlike Ann's Maisie and you know how well she plays that character. It's a lot of fun, but the story, about Ann's romance with Dan Daily, Jr., doesn't hold together because it's presented as a revue of separate vaudeville-type acts and specialty skits. Red Skelton, Rags Raglund and Ben Blue are funny as Hattie's sailor pals, but more of Red's own brand of nonsense would have snapped it up. Marsha Hunt is in cast.
FOR ME AND MY GAL— M-G-M
A sentimental filmusical about the old vaudeville days. Judy Garland, Gene Kelly, George Murphy are seen as troupers touring the sticks with an eye on the Palace. Song-and-dance acts are well done. The old favorite tunes will bring back memories to oldtimers and thrill youngsters. Judy gives a knockout performance as the •girl who gives up boy friend Gene (who's also a hit in his role) because he's unpatriotic during World War I. Murphy is good as the suitor who steps aside for real love. Don't miss this lively, tuneful, entertaining film.
BETWEEN US GIRLS — Universal
Diana Barrymore, daughter of the late John Barrymore, proves she has acting ability in this hilarious farce which gives her a chance to play a 21 -year-old actress who enacts Queen Victoria, Sadie Thompson and Joan of Arc (yes, all of them) and, at home, poses as a child with pigtails to aid her ma's (Kay Francis) romance with handsome John Boles. The tempo is uneven because of so many character changes, but Diana's scenes as the little girl, with Robert Cummings, who, by the way, is excellent, are very funny.
MANILLA CALLING — 20th Century-Fox
A thrilling, action-filled movie about a handful_ of American radio men who, caught in the Philippines by the Jap invasion, form a guerrilla band, fight the enemy at every turn, capture a short-wave station and broadcast anti-Jap propaganda until they are wiped out by the enemy. It's plenty exciting, even though the tale doesn't always ring true. Lloyd Nolan, who always turns in good performances, is the leader of the guerrilla group ; Carole Landis (film's only female) , James Gleason and Cornel Wilde appear in the cast.
BELLS OF CAPISTRANO— Republic
This is Gene Autry's farewell film for the duration. He's in the Army Air Corps now. It's about the rivalry of traveling rodeos — one owned by Virginia Grey, the other by an unscrupulous competitor who woos Virginia to gain possession of her rodeo and get the contract for the Capistrano festival, but Gene exposes him. It doesn't have as much action as most Autry films.but that won't matter to Gene's fans — not when he sings five songs. It has a thrilling and rousing patriotic finale, and Smiley Burnette sings and clowns, as usual.
THE PIED PIPER — 20th Century-Fox
This war story concerns itself chiefly with the experiences of an old man (Monty Woolley), who is asked to get some children out of the war zone, from France to England. He admits he dislikes kids, one in particular, Ronnie, and rants and raves when the boy invites other stray youngsters to tag along, but with Anne Baxter's help, he gets them to safety despite the Nazis. Woolley is excellent as the grumpy old Englishman, Hozvard; Anne Baxter is good as Nicole; and Roddy McDowall, splendid as Ronnie. You really should see it
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