Screenland (Nov 1944-Oct 1945)

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If there was anything to that old one about being beautiful and dumb (let us cliche while we may) Barbara would just . have gone along casually in her pleasant manner, posing for publicity stills, tieups, holiday art, et al, and would have undoubtedly waked up one fine morning and found herself without a contract. But back of all that refreshing loveliness is a brain. Since she didn't know what was wrong with her, she decided to ask an authority. She called up B. G. De Sylva, the executive production manager of Paramount, and asked for an interview. "]VIr. De Sylva," said Barbara, "what am I doing next."*" "Nothing in sight right now," said Mr. De Sylva. "That," said Barbara with an engaging smile, "is just what I suspected. What's wrong with me, Mr. De Sylva? Why don't I click as an actress?" Well, when you ask Mr. De Sylva, a question, it seems you get an answer. "May I give you some fatherly advice?" he ask'ed kindly, and when Barbara nodded, he gave it to her, right between the eyes — which, according to the photographers, are the most beautiful in Hollywood. "He told me a lot of things were wrong with me," said Barbara. "I was a little stunned at first. But the more I thought about it later the more I realized how very right he was. One of the things he told me was that I'm too young for my years. After all, I'm not a child any more and I shouldn't go around acting like one. I shoidd get rid of my childish ideas and have a more adult approach toward life. If you're not adult by the time you're twenty-four, you are clearly a case of arrested development. Then he said that it was silly for a tall girl to act like a little girl. I am five feet six, and I guess I did look pretty silly dressing like a five-one. He told me that I not only dressed and walked like a little girl, but I talked in a high voice like one. Well, it all boiled down to the fact that I lacked dignity — and that if I took stock of myself now, and worked on myself, I just might become eligible for Irene Dunne roles. H'm, I certainly wouldn't ask for anything better than Irene Dunne roles. That's for me, I thought to myself." A few days later Barbara started working on herself. First of all she got a voice teacher w-ho assured her that he could take the girlish shrill out of her voice and lower it until it was beautiful and deep and reeked with dignity. "He had the weirdest sounds coming out of my throat," Barbara said with a laugh. "It was frightening. But even I can see that I have improved immensely. And in another month now he seems to think I VA'ill have a well modulated voice. Just in time for me to start the remake of 'The Virginian.' I'll be co-starred," she added happily, "with Joel MacCrea." Next thing Barbara did was to look over her wardrobe. "I seem to have specialized on sweet little-girl dirndls," she said. "I had dozens of them. I gave them all away. I didn't have any hats. For two years it seems I just loped around with my hair flying, ^^^len I think about it now I wonder why somebody at (Please turn to page 82) m-Finish Powder gives Shirley Temples skin that smooth and flawless look . . . Sweet -sixteen Shirley Temple, just beginning to wear make-up, chooses Woodbury Film-Finish Powder, made for the stars and you! For that screen -glamour -look you cherish! New five-way blending creates stayJresh shades, smoother new te^xture that clings, hides lines and blemishes, never clogs, cakes, nor turns pasty. Choose fjfoi^ eight film -star shades! SHIRLEY TEMPLE David O. Selznick player, co-starring v^^ith Ginger Rogers and Joseph Gotten in "I'll BE SEEING YOU" Shirley uses Windsor Rose to dramatize her medium pink-toned skin! YOUR MATCHED MAKE-UP $1 . . : Now with your big $1 box of Woodbury Powder, you get your glomour shades of matching lipsticl< and rouge ... of no extra cos) No change in the box — oil Woodbury Powder now on sale is the new "Film-Finish." Alio boxM of Woodbury Powdar, 504, 35<, \0i. plus lax WoodLur /Film Finish