Screenland (Nov 1944-Oct 1945)

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Pond's "Lips" stay on. and on . . . and on ! 6 luscious shades ■*< . . . Try the newest "Lips" shade — Beau Bait, round, j full crimson-red! 49(S, 10(S, plus tax 8 Wm HIMS Sdected THE CORN IS GREEN— Worners In this adaptation of Emlyn Williams' stage play, Bette Davis deftly characterizes a remarkable heroine — spinsterish, determined Miss Moffat, an English woman who. feels it her destiny to bring Welsh children — and adults, too — out of their dark existence in coal mines and expose them to the bright lights of education. The austerity, of schoolroom scenes is greatly lightened by the antics of an abominably bad little girl (Joan Lorring) as she threatens to disrupt the whole project. John Dall is exceptionally good in the co-starring role of Morgan Evans, on whom the schoolmistress pins her hopes. Nigel Bruce heads a fine supporting cast. PATRICK THE GREAT— Un/verso/ Put Donald O'Connor and Peggy Ryan in a film, and the story usually becomes a negligible part of the entertaining whole. And to date, that's been all right with us, because these two leaders of the jive set are plenty good enough to carry the burden. This time the story concerns the unsuspected rivalry between father, a musical comedy star (Donald Cook), and equally talented son for the same role — and for the same girl (Frances Dee). There are songs and dances galore, and Peggy Ryan tops even herself in an hilarious "siren" sequence. Eve Arden, as girl Friday to a cookbook authoress, displays her excellent brand of comedy. GOD IS MY CO-PILOT— Worners Following closely the well-read autobiography of Colonel Robert Scott, this film takes to the screen as easily and excitingly as the P-40s of the Flying Tigers under the command of General Chennault, and gives you some of the most engrossing dog-fight scenes you've ever seen. Dennis Morgan, too, soars to the pinnacle of success, showing new depths in the role of Col. Scott, who stood by as the film's technical advisor. A wealth of interesting detail, such as China's air raid warning system, is very neatly worked in between combat scenes. Dane Clark, Raymond Massey, Alan Hale and Andrea King stand out in superb cast. HOLD Autumn in your hand— i;n;*e</ Artists Release This film based on the novel by George Sessions Perry and directed by Jean Renoir has all the flavor of another "Tobacco Road," though we are happy to say it doesn't hit quite the same depressing depths. Unlike that play, the central characters, tenant cotton farmers played with fine understanding by Zachary Scott and Betty Field, are energetic and enterprising — but so unsuccessful ! The hungry mouths of their children and Granny, played superbly by Beulah Bondi, go unfed. Come spring and their vegetable garden is trampled by a rebellious neighbor's pigs. If you think you've got troubles, go to see these characters' indomitable spirits. MOLLY AND ME— 20th Century-Fox The talents of Gracie Fields and Alonty Woolley which were so nicely blended in their first picture, "Holy Matrimony," are given full sway over this story about a pompous, scathing-tongued father with Parliamentary aspirations and his matronly housekeeper, formerly an English music hall actress, who finds a use for her unexpected culinary art after she shoos a conniving bunch of servants out of the house at the point of a broom. They're a nice fit, these roles, and the part of the sensitive son, whose relationship with his father is estranged, especially suits Roddy McDowall. Reginald Gardiner is good for laughs as a drinking butler. SCREENLA ND