Screenland (Nov 1945-Oct 1946)

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to give. After Melanie. T knew what was wrong. I could do a good job if I had a good part. "In England, the courts are always rather shocked at the astringency of terms to the players in Hollywood contracts. They are so obviously in favor of the studios. You are guaranteed only 40 out of 52 weeks. Three months of the year they can lay you off without salary. But they give you this layoff at their own convenience. You can be ill, overworked, tired out, but if you take time out for these reasons, you are suspended. You can't just take your layoff then. The reason for this is because when an actor is suspended instead of laid-off, that suspension time is added on to the end of the contract. That's what I fought in court. Actually, my case resolved to a point of law: California law says no contract can go over seven years; the studios interpreted this as seven years of service. This meant a studio could suspend a player for any reason whatsoever, keep that player off salary, but the time would be tacked on the end of the contract." Olivia's was the test case. Robert Cummings had taken the first step by suing his studio on the grounds that you couldn't indefinitely suspend an actor and prevent him from earning a living. Olivia proved that no studio could make you work longer than seven years. If they wanted to suspend a player without salary, that player was penalized enough by losing a considerable sum of money for the sake of a principle. But at the contract's end — in seven years — she was free to sign elsewhere. Olivia was off the screen for eighteen months as the result of her suit against her studio but at its conclusion, Hollywood realized that a monumental step forward had been the impressive result. It was a decision that affected every single studio and star. When the case was won in Superior Court, the studio appealed to the Supreme Court. On February 3, 1945, word came to Olivia that the Supreme Court had refused to review the case. This was because the case had been The charming bit of ectoplasm known as the "Blithe Spirit" is played by Kay Hammond. "The Touches of Her Hands, and the Delightl James Whitcomb Riley t We bet the lady never "touched' household Drudgery! Housework can make your hands look like anything but a poet's dream. Rough, red, older-looking than you are. So be sure to use Pacquins Hand Cream twice daily to help give your hands a "young-skin" look. Ask your Doctor or his Nurse about . . . how they keep their hands in good condition in spite of 30 to 40 washings a day. Harder on hands than housework! Pacquins Hand Cream was originally formulated for their professional use. Here's the secret— it's super-rich in what doctors call "humectant"— an ingredient that helps keep skin feeling soft, smooth, supple! AT ANY DRUG. DEPARTMENT, OP TEN-CENT STORE ECEEENIAKD 77