Screenland (Nov 1945-Oct 1946)

Page scan 000263 from Screenland

Record Details:

Title:
Screenland
Date:
Nov 1945-Oct 1946
Publisher:
[New York, Affiliated Magazines, etc.]
Volume:
Screenland (Nov 1945-Oct 1946)
Leaf #:
000263
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals","Television broadcasting -- Periodicals
Collection:
Hollywood Studio System and Fan Magazines
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Mid-range fan magazine. Ran from 1920 to 1952, at which point it changed its name to Screenland Plus TV-Land. Merged with Silver Screen in 1971 and ceased publication. -- Anne Helen Petersen, 2013. Secondary sources consulted: Inside the Hollywood Fan Magazine by Anthony Slide and MovieMags.com.
Date Added:
August 08, 2024
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mutt gram, with innumerable guest appearances, and writing a syndicated newspaper column on national and international affairs called "Orson Welles' Almanac." In 1944 he played an active and vital part in the Roosevelt campaign, making radio speeches, and brilliant ones too, at the drop of a hat. He covered the San Francisco conference, and the Mexico City conference, both in his column and on the air. Every worthy cause stemming from California found Orson on the board of directors. And for relaxation he painted in oils. Evidently art-lovers think well of the Welles paintings. He has been invited to hold a one man show at the Museum of Modern Art in New York this Fall. No. Orson hasn't exactly been sitting near the phone, doodling sulkily, and waiting for a producer to call. When the big boys at International decided to film "Tomorrow Is Forever" with Claudette Colbert and George Brent they cast their eyes around for someone to play the difficult role of Kessler. Ronald Colman was (Please turn to page 69) People love him, or hate him. But no one is indifferent to "The Great Ham" as Orson Welles calls himself By Elizabeth Wilson