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fuse to be typed! You've got to do something! I want to be attractive in at least one picture!"
Before the bewildered Mr. Schary could remove his reading glasses Dorothy's interest was switched to the title of the script in his hands, "Till The End Of Time." "The heroine is a gorgeous well-dressed kid of twenty-two with a mouth you've got to kiss," she read from the title sheet. "M-m-m," mused Dorothy, ruffling her bangs until they stood straight up over one eye, a sure sign of excitement with her. "This is it! She's the girl I want to play!"
The producer looked as though he had just acquired his first ulcer. "But the part's not big enough for you! Guy Madison will have the dominant role!"
"That's not important," countered Dorothy cheerfully, "as long as the part is exciting!"
"Exciting! You never know what this girl is going to do next!"
"Sounds perfect," said Dorothy. "Thanks ever so much," and she was on her way, script tucked securely under her arm.
The independent spirit that is the very essence of her Irish charm refuses to consider anything or anyone important merely because others have proclaimed them so. She may hold you spellbound for hours while weaving eloquent magic around the most ordinary topics. Or she may throw up her hands and say, "I can't talk any more," in (Please turn to page 74)
Guy and Dorothy rehearse the walti they dance in an important sequence for their picture. You see Miss McGuire in an attractive, gay get-up for a change.
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