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10
THREE WISE FOOLS — MGM
A little child shall lead them ! And Margaret O'Brien certainly does in this opus about an orphan from Ireland and the three wise fools, played by Lionel Barrymore, Lewis Stone and Edward Arnold — a doctor, a judge and a banker, respectively. Respected and successful, they are, but not happy. So that's where little Maggie comes in, tugging unmercifully on their (and your!) heartstrings until they see the error of their ways. But she couldn't have done all this if it had not been for the leprechauns that lived in an oak tree, a century old. They're cute little fellows, and if you are as superstitious as Maggie in this film, you will live a charmed life after seeing them.
TWO GUYS FROM MILWAUKEE — Warners
How visiting royalty learns a thing or two from the American common man is the overworked theme for this film. Stars Dennis Morgan and Jack Carson do their best with dialogue and situations you and I know altogether too well. Dennis is the Prince of a Balkan country, tired beyond endurance of accepting gold keys to cities and attending political banquets. Jack plays the Brooklyn cabbie who shows him what the American people are really like. Joan Leslie as a manicurist confuses both of them when they insist on her making up her mind which to marry. Even though she keeps them guessing until the final scene, their love, strangely enough, remains true, but something happens to the audience's interest long before that point.
THE RUN AROUND — Universal
The lid's off on travel restrictions — in the movies, at least. Rod Cameron and Broderick Crawford, playing two smart dicks, brainy and brawny, respectively, run a highly competitive race across country by everything from plane to broken-down jaloppy to retrieve the lovely Ella Raines, playing the wilful daughter of a millionaire, before she marries a sailor. The old formula? Perhaps, but some new tricks of the trade have been introduced with outstanding success, and the situations are surprising, unique, and humorous, directed by Charles Lamont with the accent on fun. So go see it and have yourself an exciting trip to California and back — with gay stopovers!
SCREENLAND
SHE WROTE THE BOOK — Universal
Joan Davis, posing as the authoress of a sexsational best selling novel, in this fast and funny film farce puts the accent strictly on humor rather than the rowdiness she generally displays. The effect is just as hilarious and will doubtless satisfy old customers and gain new audiences. Her characterization as the low-voiced, quiet, calculus professor forms a striking contrast to the personality she assumes when she becomes a victim of amnesia. Co-starring with her is Jack Oakie, as funny as ever as the publisher's fast-talking advertising manager who helps her regain her memory so that she can write another best seller. Mischa Auer cavorts gaily as Russian count.
LOVER COME BACK — Universal
How many times have you heard, "With men it's different"? Enough, no doubt, to be interested in this fast sophisticated farce in which the saying is thoroughly and entertainingly disproved, with George Brent as the leading contender on one side, and Lucille Ball, who plays his wife, a very efficient and clever dress designer, his worthy opponent who makes him concede his point. But not before a lot of hilarious situations inadvantageously occur '— far instance, the love message he records and sends to his wife, which turns up in wholesale lots. Vera Zorina, in a strictly dramatic role, plays with compelling sincerity the nice companion and photographer who accompanies the husband on story assignments, adding logic to their illogical spats.
THE BRIDE WORE BOOTS — Paramount
So the husband's interest is Civil War history, complicated by a pretty southern belle, and the wife's interest is horses, complicated by a man who knows a snaffle when he sees one, and never the twain shall meet? It does in this film starring Barbara Stanwyck and Robert Cummings and featuring Diana Lynn and Patric Knowles as complications, but in the process it leads you through a maze of familiar situations topped usually by the wife finding her husband in the designing woman's arms. Natalie Wood and Gregory Muradian have a noisy time as their hardy offspring, Peggy Wood makes a lovely sophisticated grandma, and the late Robert Benchley contributes real humor.