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SO GOES MY LOVE — Universal
Myrna Loy and Don Ameche form a delightful team in this Skirball-Manning production based on the biography by Hiram Maxim about his father. Rather than stressing the products of his inventive mind, the film deals mainly with the amusing idiosyncracies of the man himself, and the well-directed activities of his busy, charming wife to help Brooklyn's Hall of Science honor him — against his will — as one of the three greatest scientists of the 1870's. Bobby Driscoll, as their offspring, comes in for warm-hearted laughs over his bad-littlegood-boy pranks, and Rhys Williams scores in short role of portrait painter particular in his choice of subjects.
MAKE MINE MUSIC — RKO-Disney
Whet a variety of tastes Disney pleases in his latest full-length feature entertainment! Take your pick of ten fascinating colorful skits : among them, a hillbilly tune, comically animated with the King's Men singing ; two jive sessions with Benny Goodman; ballet by Riabouchinska and Lichine to Dinah Shore's song ; ballad by Andy Russell ; "Casey at the Bat," Jerry Colonna reciting; Prokofieff's "Peter and the Wolf," Sterling Holloway narrating; "Johnny Fedora and Alice Bluebonnet," a tender love storv sung by Andrews Sisters ; "The Whale Who Wanted to Sing at the Met" with Nelson Eddy singing bass, baritone, tenor, and soprano.
SUSPENSE — Monogram
Belita, heretofore noted mainly for her talent on skates, makes a substantial bid to place her name among the new dramatic stars in this murder mystery film with psychological overtones. For our money, the place is hers. With Barry Sullivan and Albert Dekker playing opposite her — one to gain her affections, the other to keep them — the story builds to high-pitched suspense. Up to the murder sequence and subsequent scenes when the "corpse" returns, the picture holds interest, but from then on there seem to be too many loose ends to pick up. Bonita Granville is vigorous as a mystery moll, while Eugene Pallette is easy-going as staunch friend.
CLUNY BROWN — 20th Century-Fox
The girl who saw the Vision at Lourdes has become the giri with a penchant for plumbing. Yes, she's the one and the same — Jennifer (Bernadette) Jones, perhaps not so saintly, but certainly as sincere as Margery Sharpe's heroine. Where else could you find such delightful, uninhibited, gullible and naive people? There's the plumber's niece, who's desperate to find her "place," and the Czech refugee (Charles Boyer), who alone seems to understand her philosophical dilemma, charming the sympathetic English bluebloods, especially Peter Lawford. Richard Haydn represents a stuffy chemist. It's a laugh even the English will enjoy on themselves.
THE DARK CORNER — 20th Century-Fox
Playing the central character along the same general lines of Dick Powell's "Murder, My Sweet" and "Cornered," Mark Stevens should add a great deal of prestige to his name. With Lucille Ball, grand trouper that she is, aiding and abetting him in the solution of a particularly baffling mystery, and Clifton Webb, also expert, laying the obstacles in his path, the film offers plenty of excitement, action, and suspense. The script, however, goes a little overboard in withholding clues and, as a result, amateur detectives may feel miffed. Kurt Kreuger, as a handsome blackmailer, William Bendix, an unprincipled "eye," add further interest.
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SCREENLAND