Screenland (July–Dec 1947)

Page scan 000303 from Screenland

Record Details:

Title:
Screenland
Date:
July–Dec 1947
Publisher:
[New York, Affiliated Magazines, etc.]
Volume:
Screenland (Jul–Dec 1947)
Leaf #:
000303
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals","Television broadcasting -- Periodicals
Collection:
Fan Magazines and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Mid-range fan magazine. Ran from 1920 to 1952, at which point it changed its name to Screenland Plus TV-Land. Merged with Silver Screen in 1971 and ceased publication. -- Anne Helen Petersen, 2013. Secondary sources consulted: Inside the Hollywood Fan Magazine by Anthony Slide and MovieMags.com.
Date Added:
August 08, 2024
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mi The Aumonts co-star for the first time on the screen in "Atlantis," a fantastic romance of the legendary lost continent. Left, a scene from the U-l production. The sultry Montez has just three great loves in her life — her career, her child, and most of all, that man, Jean Pierre Aumont N fOT EVEN the fantastic, incredible and utterly genuine Maria Montez -more dramatic in every moment of her real life than in most of the walk-around-and-look-sexy roles she has adorned in Technicolor — can now or in the future be mentioned all by her luscious self. There must always be in the picture, too, her husband, the dashing, handsome-in-a-stern-yet-deb onair-way Jean Pierre Aumont, idol of French film fans and receiver of more mail from movie-goers — considering the few screen appearances he has made here — since the first arrival in the United States of that other French idol, again entertaining us, Maurice Chevalier. All Hollywood, as well as theater-goers throughout the country, has waited for these two to work together in a picture. Reason? The reason, for eagerness in Hollywood, is simple. No one who knew the magnificently and healthily selfcentered Maria in her early days around the film capital could visualize a man who would be able to take Maria's mind off wonderful (Please turn to page 69) Maria By Lupton A. Wilkinson