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HOLLAND: Before we get into the argument, I'd like to greet a newcomer to our board, the very personable Ann Sothern. Barbara Stanwyck, who served on the last month's topic, was forced to withdraw because of poor health. She is at present in Palm Springs for a long rest. So, Ann, I hope you'll enjoy our sessions. Now we're really going to be confused with two Anns on our forum. But down to business: our topic for this month is one that several readers have suggested and is a natural due to the current trend of pictures dealing with anti-Semitism and other such topical problems: "Should Movies Have A 'Message' or Merely Entertain?" To start off, let's see how your minds tick by asking you what you look for when you
decide to make a picture. What qualities must the story have?
GREG: Well, frankly, I don't look for the story as much as I consider who's the producer and who's the director. Any actor's story judgment can go haywire, but a big director and producer will usually work pretty hard to. protect their investment. And that's probably not the answer you wanted at all!
LON: Well, Greg has something there, but putting in my two bits — not that I ever get a chance to decide on the picture I want to do — I prefer to do a film that has something to say. And says it in good taste and with a subtle touch.
Yeah, I know you're thinking of the animal pictures I've made like "Thunder in the Valley" and "Summer Lightning." And I guess you wonder how my theory holds true there. But even those pictures have had something good to say. Take a scene I had in a picture with a fine colored actor named Willie Best in which I was shown eating with him. That certainly implies tolerance and is a good thing for everyone with a prejudice to see.
ANN S: I want entertainment first in the pictures I do. Granted it's important for a film to say something, I still believe that people (Please turn to page 76)
GREGORY PECK
SUSAN HAYWARD
ANN BLYTH
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DISCUSSING THE QUESTION:
"SHOULD MOVIES HAVE /
LON McCALLISTER