Screenland (Sept 1922–Feb 1923)

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AT the very moment that the photographer snapped this j[\ sky view of Universal City, Erich von Stroheim, creator of that million-dollar Foolish Wives, was holding conference with Carl Laemmle in the cutting room. You may think that the cutting room is a queer place for Stroheim to confer with his director general. They had an adding machine between them. With this, the great Stroheim was doing his cutting. He didn't want, in his next big production, any economy that could be dispensed with. By careful management he knew that picture profits could be cut