Screenland (Sept 1922–Feb 1923)

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SCREEMLAND C*ii£™i» Now We're Going To Make a Motion Picture! We shall take a trip into a big Hollywood studio— never heed that watchful guard at the gate— and watch in the sacred precincts of picturedom the progress of a photoplay, from scenario to the final screen presentation. We shall make the fascinating journey from "Pen to Silversheet" By Melvin M. Riddle Author of "Behind the Camera with Elinor Glyn" "How Do They Do It?" You have often asked yourself this question, as you sat in the dim coolness of the theatre and watched the shadowy story unfold before you on the screen. You have thought of pictures in terms of actors, directors and backgrounds, probably. If so, your knowledge covers only about one-fifth of the varied factors that make the finished picture that thrills you on the silver screen. If you would really know what goes on behind the scenes in Filmland; If you aspire to make a place for yourself in pictures, either as a | _ player or writer; If your scenarios have been coming back because your ignorance of picture production has concealed the real merit of your plots— You will want this book. But you must act quickly, for the edition J ?1 00 (checkf money order, of 'Ten to Silversheet" is limited and will soon be exhausted, ine , stamps) for which please ship immemsmall sum of $1.00 brings it to you. Don't Wait! Clip the attached coupon and mail it to us TODAY ! TIMES-MIRROR PRESS Publishers 118 So. Broadway, Dept. A, Los Angeles, Calif. Times-Mirror Press Co., Publishers, 118 S. Broadway, Dept. A,. Los Angeles, Cal. ately one copy of "Pen to Silversheet." Name Address City. State.