Screenland (Sept 1922–Feb 1923)

(ihe<Magic difference few years ago any picture that moved on a screen fasci' nated people. Remember your excitement the first time you saw a man actually walking in a picture, moving about ! Today, it is not bodies alone that you want to see moved, but hearts. Here is Paramount^ magic difference — the magic of the world's best picture^making that has made the Paramount mark a treasure-trove Xo find in any theatre lobby any day of the week when you are seeking entertainment. * Paramount stories, Paramount stars, Paramount directors, and all the sumptuous riches of Paramount equipment — this is the eternal name that makes a theatre a good place to go, and a reluctant one to leave ! * Millions of dollars and months of concentrated artistic labor have been expended in making the Paramount Pictures released in October, as listed alongside. Each one of them is a treasure mine of wonderful entertainment, of thri Is, of romance, of warm, human heartinterest, of spirited action, of the last word in luxurious setting. Find out when they will be shown at your theatre. &cuxuruHint If it's a Paramount Picture it's the best show in town When are these coming ? Use the 'phone! "The Old Homestead" ■with Theodore Roberts George Fawcett Absolutely one of the T.Roy Barnes greatest motion pictures PamS?/ord evermade.Don'tmissit. Adapted from Denman Thompson 's play by Perley Poore Shechan and Frank Woods. Scenario by Julien losephsan. Directed by James Cruze. Wallace Reid in "The Ghost Breaker supported by Lib Lee and Walter Hiers the beginning of the plot, and into great adventure. By Paul Dickey and Charles W. by Jack Cunningham. Directed by The scene is Old Kentucky. Wallace Reid is the last of an ancient family. Over in Spa in there's a girl who possesses nothing but intoxicating beauty and a haunted castle. Howandwhy she and he meet is thereafter it thickens Qoddard. Adaptation Alfred Green. A new and strik ^ftwrtynStais^jvoduction ing type of melo Pfnk Gods" drama set in the South African diamond mines. By Cynthia Stockley. Adap tation by J. E. Nash and Sunya Levicn. ■with Bebe Daniels, James Kirkwood Anna Q Mlsson and Raymond nation at A George Mel ford production ^ "Startling Sands with Wanda Hawley, Milton Sills ^ , j Robert Cain The man who directed and "The Sheik" directed this Jaqueline Logan picture. "Burning Sands" is a man's answer to "The Sheik." The lovers are Milton Sills and Wanda Hawley, and they dare everything for each other's sake. By Arthur Weigall. Adaptation by Olga Prinulau. Scenario by Julien Josephson „ A George Fitimaurice production TbHave andToJiold W,TH Betty Compsonand Bert Lytell supported fy Theodore Kashff. W.J Ferguson Raymond Hatton and Waller Long Action, love, suspense, fights, blowing up a ship, beauty, bloodshed, comedy, marvelous sets, a battle between a man-o'-war and a pirate ship; great swordsmanship, gowns that it took sixty dressmakers a month to prepare, startling photography, more romance, more suspense, more action — By Mary Johnston Scenario by OuiJa Bergere To set a new standard of thrills in a Western picture is a considerable achievement and that is exactly what you have here. From the play by Clyde Fitch Directed by Charles Maigne 'VheSaceintheToq" by Jack, Boyle Directed by Man Cropland Created by Cosmopolitan The cast is the best indication of what to expect from this picture: It includes Lionel Barrymorc as Blaclcic Dawson, the gentlemanly safe cracker. Louis Wolheim. Lowell Sherman, Seena Owen, Mary MacLaren, Geo. Nash, Gustave von Seyfertit:, and Macy Harlan. ■ *TheGwboyB and f fie lady WITH yMaryJfilesJiinter A«t> Tom Moore FAMOUS PLAYERSLASKY CORPORATION ADOLPH ZUKOR. President You may have seen all the great spectacle pictures made sofar.butyoustill havesomcJ3^\ thing coming to you. 50,000 Indian natives in the cast. * Above,, AH Law' A HAMILTON THEATRICAL CORPORATION PRODUCTION 66