Screenland (Sept 1922–Feb 1923)

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•J This camera study of May McAvoy created a stir among staid London beauty lovers when it was exhibited at the London Salon of Photography in 1922. Photograph by James N. Doolittle. wonderment of Betty Compson's eyes. Her whole face is artistically shaped and exceptionally well modeled, particularly the chin and jaw-bone. Her head is small and gracefully erect. Something statuesque, that challenges description, is seen in the way Betty Blythe carries her head. The ?0 most beautiful and expressive features are contained in the upper half of her face. Claire Windsor's features by themselves lack perfection, but they are a striking example of the harmony of features. The result is a feeling of very decided beauty. LlLA LEE has lovely, expressive eyes and her nose and mouth are in harmony with them, giving her face a great appeal. Agnes Ay res has a beautiful complexion, and although the facial bones are too prominent, her featujjS^Tare so beautifully modeled and a r ranged as