Screenland (Sept 1922–Feb 1923)

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/•f/£ TOW-'iV THAT FORGOT GOD— fox Special qXw/I worst storm since the year of the biff wind hits this iniquitous village. The story centers around the cruel treatment of an adopted boy and brings extra hankies into full play. Not worth standing in line to see. THIRTY DAYS— Paramount qT HIS is a "can't happen" comedy, that ventures timorously toward broad farce but hestitates, flounders, flops and expires. The plot is about as intriguing as the first-grade speller. Even the flappers, bless their empty little pates, will go away unsatisfied. But Uie subtitles dee-, worth reading. If you enjoy reading, see Thirty Days. A DAUGHTER OF LUXURY— Paramount «I A GOOD ENOUGH movie. Agnes Ayres appears in the screen version of that snappy stage comedy, The Imposter It has been sifted through a scenario department and still retains some of its smiles. The star is surrounded by several strange faces whom fans have not yet catalogued. As a whole, the picture can be Tated as pastime rather than entertainment.