Screenland (Sept 1922–Feb 1923)

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HOilVWOOD CAU'OKHIA qfi^NOTHEK South Sens romance. It is a safe investment finany playgoer who is on the market for an evening's entertainment, but it leaves much to be desired as a screen classic. The vivid, pulse stirring qualities , of Robert Louis Stevenson's tale arc borne by the excellent acting of a splendid cast. The settings and treatment arc conventional. The story deserved to be better produced. THE HOTTENTOT— luceAssociated First National snappy little number including some good comedy situations and the most thrilling steeplechase race scenes ever filmed. The comedy occasionally is forced by unnecessary titles but with The Hottentot to give it speed and dash the picture, moves in swift tempo to the final scenes of the big race. There are many situations that will draw your chuckles. Douglas MacLean portrays with true pantomimic skill for comedy the seriousminded young hero who is afraid of horses, while the dainty grace of Madge Bellamy adds ornamentation. ttiittJintittliftiiti 3s>