Screenland (Sept 1922–Feb 1923)

m woy, w By O . U. KIDDER w Miss Gloria Swanson in her smart motor coat of white kid, lined with pale blue satin. V VITH ALL the fashionable film world motoring, every succeeding season shows improvements for those whose land-journeys are taken by motor-cars. As the first mission of the film star is to be attractively garbed at all times, she is careful to select a becoming as well as a practical motoring outfit. M iss Gloria Swanson is one actress who is always delightfully costumed at all times. The motor coat of long white kid, lined with pale blue satin, seems a bit dainty for long tours, but the facings of dark leather protect the garments from stain in vulnerable places. The veils that cover the collapsible helmets, worn with these coats, are delicate and costly. Embroidered lace veils, often heavy Brussels lace, are the sine qua non of the cinema haut ton. IVHiss Viola Dana has a penchant for motor wraps of heavy Scotch tweeds, with pocket inserts for the Scotch, and dainty and sweet she looks in them, as the photograph will show. The Paquin model of Skibo serge pictured above was worn by Miss Pauline Frederick on her most recent honeymoon, a trip to Niagara Falls. The long graceful lines, though a trifle daring, are very becoming to Miss Frederick. Ma j_ ary Miles Mixter is a picture of girlish sweetness in ber smart coat of glace brown kid, with protecting goggles. Viola Dana has a penchant for motor cloaks of heavy Scotch tweed, with pocket inserts for the Scotch. This Paquin model was worn by Pauline Frederick on her most recent honeymoon trip to Niagara Falls. The long lines, though a trifle daring, are very good on Miss Frederick. Mary Miles Minter is the picture of girlish sweetness m her wrap of glace brown kid, with protecting goggles. 21