Screenland (Nov 1950-Oct 1951)

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hemselves Below: Shelley Winters (with Macdonald Carey) knows she's guilty of extreme frankness, untempered by tact. This fault got the better of her while doing film, "South Sea Sinner.'' "I dislike my feeling of insecurity," states Mark Stevens. "I have no reason to feel it." Bill Holden is averse to his nice, honest face, hopes to improve it. check. The very sensitivity which endows her with keen powers of interpretation proves her undoing on occasion. There was that day on the set of "Harriet Craig,"' for instance. Joan's cooperation is legendary on the sound stages of Hollywood. When she disagrees with her director, she offers her opinions in such a soothing manner no one can take offense. On this particular occasion, however, when Joan made a suggestion to Director Vincent Sherman, Sherman tucked his tongue in his cheek and tried for a laugh. "Listen, honey," he joked, "you just stick to acting. I'm the director here." "Tears came to my eyes, even though I knew Vincent was kidding," Joan admits. "I hate myself for being that sensitive, but I'm so conscientious about every phase of my work, that I just can't help it!" And then there's Wendell Corey; big, easy-going Wendell. "Get a load of me," he says, "letting myself get talked into doing things I know I shouldn't do. It's enough to make a guy hate himself in the morning!" W7endell's case in point occurred early this year when he was doing personal appearances in the East. He went into one small town in New York with a tight schedule that allowed him just two hours for pre-opening publicity. But the theatre manager had ambitious promo (Please turn to page W6) At recent radio rehearsal Lizabeth Scott, of Hal Wallis' "Dark City," was remorseful after blowing up because of a hitch in the proceedings.