Screenland (Nov 1950-Oct 1951)

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looked high and low. again. In pockets. In a safe distance since the more enthusiastic spectators and the crew were in the same shape as Mr. Wymore — -hardly recognizable by dint of being liberally soaked in that dirty brown stuff that turns into clean green money. Well, anyway, the trip got them out in the fresh air for a bit. And so did the trip to Brookville, a town eighteen miles from Salina. This is a favorite hangout for tourists and Kansans in that vicinity, because of the atmosphere, and delicious food in Helen Martin's dining room. This was a family affair and Errol was accepted with as little show of awe as had been displayed the night before at the ice cream festival. When the last chicken wing had disappeared, there was a mad race back to Salina to board a chartered plane for Kansas City where they were to catch a TWA for New York. Errol and even Pat, with her allergy to flying, were looking forward to getting on the big Connie and to the soporific effects of the plane motors. Nothing more could happen now. So it did. When Errol started to hand in their tickets there weren't any. He Then he looked suitcases. In his hat. But the tickets plain old weren't there. Maybe they were on the piano at home. Maybe somebody picked Errol's pocket. And how were they going to get on the plane without them? It wasn't a simple matter of two tickets to New York. They had lost Errol's passage to Europe and Pat's return to Hollywood as well. While he was trying to con the airline into letting them on without the precious pasteboards, Pat put in a quick call to Salina and it turned out Mrs. Wymore had found them at the airport, where Errol had dropped them. So ended the grandfather of all twenty-four-hour rest cures and began another phrenetic chapter in the romance. New York, never known for its serenity, wasn't. In a storm of press and photographers, Errol practically got off one plane and onto another for Europe. Pat was surrounded by the unaccustomed attention of the studio and came in for some rather awed respect from chums in the theatrical apartment house where she'd lived before Hollywood and a man named Flynn changed her life completely. They planned to be married in France, Paris or Cannes, depending on where Errol's picture was shooting at the time so Pat decided she should bone up on the native lingo. She bought all the recordings and books which purported to show the tyro a way to conversational French in several hundred quick, easy lessons. Pat shopped between rehearsals for a three-week personal appearance at New York's Strand Theatre in connection with the showing of "Tea For Two." This wasn't any Elks' picnic either. She wasn't exactly in shape for the dance routines, having taken a terpsichorean holiday after "Tea" was made. 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