Screenland (Nov 1950-Oct 1951)

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our By Rahna Maughan Harvey Universal-International STARRING James Stewart in the now famous role of Elwood P. Dowd, the gentleman who outsmarted reality by producing the 8th wonder of the world: Harvey, a 6' 3" rabbit who drinks martinis, has a philosophical attitude toward life and can perform astounding miracles. Anyone with any sense knows Harvey is just an alcoholic by-product of Elwood's imagination, but Elwood's sister, Josephine Hull, a delicate reminder that there was a Victorian era, isn't a bit amused and wants him committed. Psychiatrist Cecil Kellaway attempts to pry Elwood's vivid imagination away from him, and succeeds so well that he and Harvey spend a few hours getting quietly plas tered. Delightfully adapted from the original Broadway play, none of the effects are lost with Miss Hull and Stewart heading the excellent cast, and, of course, Harvey is the handsomest rabbit I've ever seen. Two Weeks With Love (Technicolor) MGM SPARKLING burgundy couldn't have more life and color than this latest musical starring Jane Powell and Ricardo Montalban. As the 18-year-old daughter of Ann Harding and Louis Calhern, Jane has a difficult time convincing her doting parents that she's practically a woman. During the family's two-weeks vacation at a Catskill mountain resort, Jane shows how really June Haver and Gloria De Haven are a singing-dancing sister act in "I'll Get By." Right: James Stewart, whose pal is an invisible rabbit, and Josephine Hull in "Harvey." womanly she is by promptly falling in love with Ricardo. No one takes her seriously until Papa Calhern is convinced his little girl is honest-to-gosh unhappy in love, which even in those days was proof positive. Jane's dream sequences are delightful fantasy, and Papa Calhern is a bewildered, blundering charmer who gives the picture many of its more whimsical moments. So Long At The Fair Rank — Eagle Lion Classics PARIS in the Spring has been touted by travel agencies and travelers in the know, since the first Frenchman bubbled oui. However, nothing has ever been said about the sort of predicament Jean Simmons, a genteel young Englishwoman, finds herself in when she and older brother David Tomlinson become embroiled in chilling intrigue. Frere Tomlinson disappears one night, and along with him his hotel room, and all evidence that he's ever set foot in Paris. No one believes Jean's strange story except artist Dirk Bogarde (who rates an assortment of enthusiastic oo-la-las) and even he is dubious until he finds