Screenland (Nov 1950-Oct 1951)

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SONGS WANTED A woll known composer will write the music for your words on a professional basis. His songs have sold millions of copies. Recordings made. Send for FREE Booklet. % .Melody .Mart 80 BOYLSTON ST., BM. 1228 Dept. H BOSTON, MASS, Faith Domergue, Howard Hughes' new discovery whose career got off to a flying start with starring role in the RK0 film, "Where Danger Lives," is currently appearing in "Vendetta." Dual Role For Jane Continued from page 25 which had everyone, including Jane, completely confused, as there was already a picture called "The Outside Wall." As Jane was leaving the studio one night a fan rushed up to her for an autograph. "What picture are you making now?" he asked conversationally. "The Outside Wall," said Jane. "Huh," said the fan. "That picture is playing the corner theatre next Friday." "Yes, I know," said Jane hastily. "That's why we're working nights to finish it." In "The Company She Keeps" Jane plays a parolee who has her problems. "My character's main problem in the picture," she told me in the modernistic and elegant Lasker living room, where young Albert was pushing buttons and things were, popping in and out, "is deep-rooted insecurity. But she is a good girl at heart. At least I don't have egg on my face." Sharing star billing with her are Dennis O'Keefe and Lizabeth Scott. Dennis is about the most amazing actor she has ever met. To improve the story he wrote himself right out of one of his best scenes. "Imagine," said }ane, "an actor doing a thing like that." Jane has been the smouldering, passionate type in most of her pictures up to date. ("Unless I have a yun in my hand I'm not Jane Greer," she says sadly). The day she gets out of her sultry rut will be a great day for Jane. She'd like to do romantic comedy. And with her sense of humor and her flair for comedy (she can tell a story that will have you lauyhiny jor hours) Jane would be excellent in romantic comedy. "But musical comedies are out," said Jane. "I can't dance." Jane had a very harrowing experience in a musical soon after she came to Hollywood. RKO was making "George White's Scandals." The director told Jane that she was in for a dance routine in the big production number. "I didn't even know a simple time step," said Jane, "but I gulped and hurried out to take lessons. At the end of the week I had worked out a pretty good tap. When the day came for the rehearsal of my dance number I saw, in cold horror, that they, were dragging prop steps out on the stage. 'Look, boys,' I said breaking out in goose pimples, T learned on dry land.' Those steps scared me. I kept thinking I'd stumble and break a leg. I was horribly bad. They called a conference in the front office and were all for taking me out of the picture. But it seems that my plot scene had been shot so they couldn't take me out. So they had George White say to Phil Terry, 'Why that girl is no dancer.' And he was so right." Jane is so serious about becoming a good actress (She likes to tell about the little starlet who said, "I don't want to be an actress, I just want to be a movie star.") that she goes three afternoons a week to take dramatic lessons from one of Hollywood's best coaches. Studies overtime at it. But she is not one to 66