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earning power, so when Mitchum, a former rodeo champ, drifts onto the ranch, Kennedy begins to see a short-cut to getting his own stake-out. Mitchum finally agrees to train and manage him for rodeos — partially for the money and partially for his interest in Susan. Once the trio hits big time rodeo and becomes involved with the circuit crowd there's plenty of explosions, verbal lashings and crackling tension.
THE IRON MISTRESS
In WarnerColor — Warner Bros.
ALAN LADD makes his debut under the Warner banner as bayou backwoodsman Jim Bowie — inventor of the famed Bowie knife. Story opens in early New Orleans in the days of flaring tempers and frequent duels, which offers Ladd plenty of opportunity for some high-powered fight scenes. It's during his first trip to the southern city that Bowie meets Narcisse de Bornay {Douglas Dick) and his sister Judalon (Virgi7iia Mayo) . Bowie falls in love with Judalon, a coquettish vixen, whose prime interests are money and men — in that order. When the couple have a lover's quarrel, her admirers challenge him to a duel. Uneducated in the gentleman's code of dueling with swords or pistols, Bowie chooses his knife, which eventually becomes his "Iron Mistress," for either directly or indirectly he is forced to participate in eight killings. The blond costars make a handsome duo in this Henry Blanke production which has been given top drawer treatment in every department. Gordon Douglas directed.
Cowboy Arthur Kennedy and wife Susan Hayward plan to risk rodeo circuit in "The Lusty Men."
THE STOOGE
It's For Real — Hal Wallis-Par amount
HERE'S one of the better Dean Martin-Jerry Lewis comedies. Unlike the pair's other cinema shenanigans, this one has a story line, with Martin's part considerably enlarged. Dean's a hotshot vaudevillian who tries to do a single act, flops miserably, and then hires a stooge (Jerry Lewis, who else?) to pep up his act. Lewis sizzles Martin into the big time — and a big head. Although
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Flirtation while dancing suits shy Ray Bolger and saucy Doris Day, an American chorus girl mistakenly sent to high-brow International Art Festival in "April In Paris."
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