Screenland Plus TV-Land (Nov 1952 - Oct 1953)

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men ! Men who don't respond to music worry Mitzi, who can be sky high over a man with manners. By Mitzi Gaynor M EN can be more, fascinating than anything else. But they're so complicated! There is nothing simple about the mechanism of men. Just jar it and you're in a jam. All of them, I have been discovering, are definitely guaranteed to make a girl continually wonder. What sort of sex appeal do men like best? And what puts a particular man in a strange mood? I know that's what I'll ask myself sooner or later today. Often I feel like singing, "You must have been a bewildering boy, for baby — look at you now!" Only I don't. After all, I want to hear my phone ring again. Any girl, in or out of Hollywood, is sure in her heart that an eager masculine voice at the other end of the wire is much more exciting than a shattering silence. So he's male and a mystery. So this can't drive me mad. He's up to me to solve! In the past six months I've been analyzing the men I've dated. Secretly, of course, for I'd never want a man to feel like a specimen. I've found out that all men certainly are not alike. What's attractive to one can mean almost nothing to another. You can't claim it's a girl's hair, or figure, or cooking that counts most. Where there's a man you never can tell in advance what's going on in that intriguing head of his! It takes time to size him up correctly. I attempt to adjust accordingly. I'll admit a girl is always absorbing one more unexpected lesson. I wonder why a man wastes his time trying to outsmart a woman with little white lies. Men who foolishly fence themselves in with falsehoods can thrill a girl and cause her plenty of nervous tension. But they grow bored when she presumes he'll maintain his pose. I realize a convincing line may click for a while. But when I catch on to pretense, he no longer is the strong male he'd hoped I'd suppose. After they trip on their tall tales such men don't panic us any more because they're pathetic. They don't wish to lie, but they go on imagining they (CONTINUED ON PACE 56)