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SCREENLAND
August 1953
Geraldine Brooks, Anna Magnani and Shirley Booth at party in honor of the celebrated Italian star. Magnani's disheveled appearance was big disappointment to her admirers.
HOLLYWOOD ON BROADWAY
AT WORK OR PLAY, VISITING HOLLYWOOD STARS CAN SET EVEN BLASE NEW YORK BACK ON ITS HEELS
The special demonstration of CinemaScope at the Roxy Theatre proved several points very emphatically during the course of "How To Marry A Millionaire" and "The Robe." In the former. Betty Grable copped top honors as the most polished performer; Lauren Bacall, the least talented, Marilyn Monroe, the biggest surprise. The Mmmmm-mmm girl is here to stay, particularly in the new wide-screen process. But "Baby" Bacall never looked worse on film. The latest technique is apparently not for her. Not yet, at least. Vic Mature, in "The Robe." will surprise his many fans and he'll build up a new following of Mature admirers. Richard Burton surpasses his "My Cousin Rachel" and "Desert Rats" acting stints . . .
For her Cotillion Room singing engagement, Denise Darcel wore a black beaded gown with narrow shoulder straps. As she finished her opening night performance, both straps gave way — -beautijul timing! Among those in the audience who gawked and gasped were Dorothy Lamour, Louis B. Mayer, Gloria De Haven, Richard Carlson, Jack Palance, Ezio Pinza, Shirley Booth, Rosalind Russell and Bert Lahr ...
At the Latin Quarter, Dagmar had opening night jitters and trouble with her gown, (continued on next pacei
Denise Darcel, here escorted by Dr. Mato Marinovich, gave New Yorkers something to gasp about at her Cotillion Room opening.
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