Screenland Plus TV-Land (Nov 1952 - Oct 1953)

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LINCOLN SCHOOL of PRACTICAL NURSING 805 LARRABEE ST., DEPT. 1510 LOS ANGELES 46, CALIF. 68 A book everyone who likes to draw should have. It is free; no obligation. Simply address FREE BOOK l/ARTOONISTS' EXCHANGE Dept. 6710, Pleasant Hill, Ohir the picture was completed Flynn went to Europe, but his ardor for Patrice did not wane. On Sept. 23, 1950 word came from Paris that the shapely Patrice had literally flown into Errol's arms, and the movie hero announced they would marry "as soon as I can make the arrangements." Observers noted that she got a big hug and a lingering kiss from Flynn as she raced down the steps of an airliner. Shortly thereafter they were married at Monaco, and went for their honeymoon on his yacht for a cruise in the Mediterranean, with Jamaica as their ultimate destination. The element of the unpredictable hovered over the wedding plans of Patrice. Assisting her in selecting her trousseau in New York before her departure for France was none other than Mrs. Marjorie Eddington, Errol's former motherin-law. In 1951, paternity suits against Errol which had been filed seven years before were dismissed for failure to prosecute. The suits had asked that ■ the actor pay $1,750 a month for support of a daughter born to Shirley Evans, who was only 19 at the time, on November 13, 1940. Errol denied he was the father, but admitted he paid Miss Evans, who later married an orchestra leader, $2,000 to avoid unfavorable publicity. The rape charge which disrupted Errol's yachting honeymoon with Patrice Wymore was brought by a 16-year-old French girl, Danielle Dervin. She asserted that on Oct. 16, 1949, when she was only 15, Errol attacked her in a shower bath aboard his yacht. Her parents, who brought the suit, asked 1,000,000 francs damages. Errol called it blackmail. "Having had attempted blackmail tried on me by experts, I have to have a pretty good memory," he said. "But I confess this lady has an advantage over me, because after 18 months she has just remembered something that never happened." The Monte Carlo magistrate agreed with Errol. He dismissed the suit, clearing the actor. One thing certain — and predictable — about Errol Flynn is that he is never dismayed no matter how Trouble crowds upon him. He just goes swashbucklingly along, unscathed, unscalded. end DANCE YOUR WORRIES AWAY [CONTINUED FROM PACE 45] In our Hollywood studios we have had all the big stars, and many of the new ones. It would fill a Who's Who just to tell you who they are, but the experiences of all — whether the veterans or the newcomers— confirm what my Hollywood producer friend told me: that dancing is the best of all escapes from the worries and cares and complications of every day life. When I see youngsters like the charming Debbie Reynolds — a wonderful little stage dancer as well as a grand young actress — taking lessons in our Hollywood studios, I realize what dancing can do for the more youthful element. Dancing, I feel, can even put a big nick in delinquency. Dancing, let's face it, is a physical beauty course. It keeps every muscle of the body alive and kicking. You never can be too old to dance, and never too young to start it. I'm quite sure that if I had never become Arthur's wife and danced away half the 28 years we have been so happily married, it would have been part of my curriculum for growing up healthy and happy. If you think that Kathryn and Arthur Murray, with their long years at dancing, are completely free from worries and cares and problems, guess again. When we first started our TV show, it was so bad that everyone who liked us tried to help! Ken Murray said, "You know, I've just got to come around to this show every week for a while, because I can't bear the thought of another Murray having such a lousy show!" We had no sooner caught our collective breaths, Arthur and I, than Ken re marked that our set looked like a tired old night club. So we got a new set — in fact we did everything every friend advised. Yes, we worried and worked and tried hard but we had a long way to go. After one of those first shows we read a scornful newspaper column about our program. You have no idea how much it hurts to read that kind of criticism! We were both so discouraged that we couldn't shake off our depression. On the way home, silent and bitter, we passed one of New York's well known hotels. Arthur said, "Let's have a nightcap before we go home." We did. We heard the music — we danced — and let me tell you, our world was all right again. You can't stay sad and dreary when you dance. I said to Arthur, "Well, to put a little fun in your life — try dancing!" . . . And that's been my sign-off line on television ever since. Dancing literally keeps you on your toes, too. You can't get old and stodgy when you dance. For instance, we had an idea for a television stunt. The script called for me to do a dance routine and then, the following week, repeat the dance and say, "Here's how it looks backwards." So that the dance would look funny in reverse, it had to be an adagio number with a lot of tricky leaps and jumps. Now, I'm a very quiet woman, who's used to ballroom dancing. And as everyone knows — I'm also a grandmother. I may be young to be a grandmother, but any way you slice it, I'm not a squab! To learn leaps and jumps and to be an adagio dancer at my time of life, I felt,