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SHIRLEY COLLIER
Agency
(FOR WRITERS EXCLUSIVELY)
204 South Beverly Drive-CRestview 6-3115 BEVERLY HILLS
New York Representative
SIDNEY SATENSTEIN 75 Varick Street WAIker 5-7600
grinning like the freckle-faced kid on a fresh-white-bread ad, slapped his copy of The Screen Writer against the table. French fries flew in all directions.
"This is it, men," he said excitedly. "This is the day you've been waiting for. Get a load of Pirosh's article, will ya? At the Cinema School in France students like us work side by side with professional directors, writers, cameramen. — And pipe this ! — 'The diploma comes in the form of a union card!' " He tossed the magazine on the table. Eager hands pounced on it.
The article started them griping. They griped that although they were young and eager and willing, that although they ate, slept, studied, lived and breathed cinema, the Hollywood studios and the unions had shut them out completely and forever — even the best of them.
But because they were young, out of their griping came their hopes and dreams. And, oddly enough, they were all turned to foreign lands — not only to France, but to England, India, Africa, Italy, Mexico, Egypt, and Argentina.
Gene summed it up like this: "The Hollywood studios may be less than a half hour's drive from here, but remember, that's for tourists. For us, they've set up a slight detour to the moon !"
Respectfully, ARTHUR L. SWERDLOFF •
THE RADIO WRITERS GUILD of the Authors' League of America, Inc. Hollywood Alice Penneman Screen Writers' Guild Dear Alice:
Within the past few months a number of members of the SWG have turned to radio writing. From time to time we receive calls from screen writers inquiring about RWG minimums, rights, etc. On the other hand, there have been instances where screen writers have written for radio programs and have not received the full benefits of the Minimum Basic Agreement which we signed last October.
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The Screen Writer, April, 194