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GERALD SCHNITZER
Joint Story and Screenplay (with Edmond Seward and Bert Lawrence) BOWERY COMEBACK, Mono.
EDMOND SEWARD
Joint Story and Screenply (with Gerald Schnitzer and Bert Lawrence) BOWERY COMEBACK, Mono.
SOL SHOR
Sole Story DAUGHTER OF THE JUNGLE, Rep.
LEO SOLOMON
Joint Contributor (with Joseph Quillan) to VARIETY TIME, RKO
LOUIS STEVENS
Joint Story (with Elizabeth Hill) STREETS OF LAREDO. Par.
ARTHUR STRAWN
Joint Screenplay (with Philip Yordan) LAST OF THE BAD MEN, (Allied Artists) Mono.
MAURICE TOMBRAGEL
Sole Story and Screenplay BOSTON BLACKlE'S CHINESE VENTURE, Col. HARRY TUGEND
Sole Screenplay A SOUTHERN YANKEE, MGM
w
CHARLES MARQUIS WARREN
Sole Screenplay STREETS OF LAREDO, Par.
CRANE WILBUR
Sole Story and Joint Screenplay (with John C. Higgins) TWENTY-NINE CLUES, EagleLion.
Sole Screenplay CANON CITY, Eagle-Lion RICHARD WORMSER
Sole Story TULSA, Eagle-Lion
HAL YATES
Sole Screenplay, Edgar Kennedy Short. VARIETY TIME, RKO PHILIP YORDAN
Joint Screenplay (with Arthur Strawni LAST OF THE BAD MEN (Allied Artists) Mono.
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Milton Krims
(Continued from Page 15)
appointments with it. But at least I had an active voice in its making and if sometimes my voice was drowned out, at other times it was attentively listened to. This is a step in the right direction. Very humbly, may I suggest that screen writers prepare them
selves to carry this added responsibility?
T will close where I started — >with ■*reference to my conscience. It is not every writer who makes Pravda and a by-line article by Ilya Ehrenberg. Nor is it every picture that brings mass picketing and riots to otherwise peaceful American streets.
I'm rather pleased I wrote The Iron Curtain. Once and for all it has proved to me that the Communist who demands for himself all the rights of free speech is unwilling to grant them to anyone else, especially his opposition. Up where I come from, everybody has a chance to say his own piece the way he sees it. And if it makes for confusion — it also makes for free men.
T-1
Television
The Screen Publicists Guild will titled Television — Revolution in Guild to enroll in this course.
sponsor, beginning September 15th, a Hollywood, will feature outstand
comprehensive television course for members of the Hollywood unions and guilds at the Hollywood Guilds and Unions Building, 2760 Cahuenga Freeway. Five weekly sessions, en
ing specialists in each phase of television at each session.
Members of the Screen Writers' Guild are invited by the Publicist*
There are announcements describing the series available in the SWG office as well as registration forms. The charge for the entire series of five sessions will be $5.00.
T-1
J
Screen Writers' Guild Studio Chairmen
(September 1, 1948)
Columbia — Ted Sherdeman.
MGM — Anne Chapin ; Studio Committee : Sonya
Levien, Joseph Ansen, Robert Nathan, George
Wells. Paramount — Richard Breen. Republic — Sloan Nibley; alternate, Patrick Ford.
RKO — Daniel Mainwaring; alternate, Martin Rackin.
Fox — Richard Murphy; alternate, Wanda Tuchock.
Universal-International — Dane Lussier.
Warner Brothers — Henry Ephron; alternate, Harriet Frank.
32
The Screen Writer, September, 19+S