The screen writer (June 1946-May 1947)

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THE SCREEN WRITER ness of the dramatic construc¬ tion. And, of course, this review would be incomplete without a word of praise for Aram Hagopian, Mac Killop’s ace proofread¬ er. Nary a misspelled word or grammatical error escaped Hagopian’s scrutiny — swamped though he must have been. How¬ ever, on Page 327 (Hagopian must have been exhausted), we detected a boner; “ignorami”; obviously what was meant was “ignoramuses.” Anatole Pinkus produces a fine bit of deceptive bookbinding. Spellbound by his superb crafts¬ manship, you are trapped into buying the book. What happens next is no fault of Pinkus’. But the performances of those mentioned would hardly have been possible without the contri¬ bution of John Newman, paper manufacturer. Particularly de¬ serving of mention is his wise choice of snow-white paper which does much to relieve the somberness of the story. ★ 36