The screen writer (June 1946-May 1947)

Record Details:

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A N AMERICAN AUTHORS AUTHORITY and for his benefit, so that they return to him after the period of the lease, and NEVER GET AWAY FROM HIM. 5. Prosecute vigorously the writer’s case in court, coming in, not as amicus curiae, as the guilds must do at present, but, in its capacity as owner of the copy¬ right, as plaintiff, and massing experi¬ enced counsel and adequate evidence on his side. 6. Furnish a competent, aggressive field representative, prepared to deal with publishers, studios, and other corpo¬ rate interests in all cases where a writer’s rights have been infringed, and to insist that they be respected. 7. Prepare a new copyright law, and use every means, including expenditure of funds and cooperation with other or¬ ganizations having similar interests, to get it passed. 8. Maintain an aggressive, adequate¬ ly financed lobby in Washington, and at such times as seem advisable, in Albany, Chicago, and Sacramento also, to further the interest of the writer, not only as to copyright, but all other legislative mat¬ ters that affect him, and especially as to the monstrous, discriminating, indefens¬ ible taxes that now afflict him. 9. Fight, on all fronts and in every way, to promote, not the writer’s finan¬ cial advantage, or his repute, or the conditions under which he works, mat¬ ters at present the concern of existing organization, but his RIGHTS. THE SET-UP: The Guilds Screen Writers’ Dramatists’ Authors' Radio Writers’ Will Elect Director Director Director Director Who Will Elect THE PRESIDENT American Authors’ Authority Who Will Also Be a Director And Chairman of the Board And Appoint -Attorneys Field Representatives Lobbyists Custodians of Records THE AUTHORITY Will Maintain Offices In New York Chicago Washington Los Angeles It Will Be In Touch In Sacramento Springfield Albany 15