See and hear : the journal on audio-visual learning (1945)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

with till' supervisor of their own (Icparmunt scivini; iii a (oiiMihaiiishi|> lapacitv on the piojici. (irathiati' NliicifiUs woik on a ihicc \ear inlii iislii|) l>asis. The lirst \car llic stiiclcnt works on a parl-linic lioiirK liasis; ilic sriond \c'ai on a paM-linu appoint nitiit: anil tlu tliiril \eai on tnll-tiini appoiiuiiiint al a rate lanuinj; Ironi SIHOO to S'JTOO. Productions arc finyntiii in thii'c ways: 1) through the ]>ro(liKtion rcvoh ing limcl, 1!) as projcits ol iinivcrsitN liipai timiits who pax tor services reiuicrcd. and .'?) I)\ dirict i)a\incnt Ironi slate agencies and oinani/ations lor piodiution services rendeied. Films Must Recover Their Production Cost ♦ Since the majority ol out productions are financed b\ the revolving I'und method, we nnist recover ex[)enses incurretl. i.e., lor the labor, inateiials, direct supervision, and sonic etjnipnient aniorii/ation. Productions as a group, over their sales life, must net an amount etjual to their total production costs. Productions released within the past year inclutle: How Tu Makr Handmade La)Hcrn Slides. 22 min.. sound, color; Your Indiana State Parks, 22 minutes, soimd. color: One Hundred Years of Art and Artists in Indiana, 22 minutes, sound, color: Chuclty Lou— The Story of a Woodchuck. (motion picture) 10 minutes, sound, color: (slidefdin) 35 frames, silent, black and white; Craftsmanship In Clay: Simple Slab Methods. Ill inilHilis, sound, ( oioi . .iiid lnui liliiis on liasketliall lor ihe [iidiana High Sdiool Alhlclic \sso<iation. (anient jnodiK tioiis in pKxessare; What Is Chancer.' SO li.unes. soiuid. I)!a( k and white: Craftsmanship In (Ua\: (iltnini^ Mtlli(id\. Id minutes, sound, color; Mental Testing. I;') minules, sound, black .ind while: three lilms on Sulx utaneous Blood I'low In The Hat. 1(J minutis, sound, blaik ,ind wliiti': Safely In The Chemistry Laboratory. 2 reels, sound, black and white: and Tea< Iter Traniing. 7,5-l()() frames, sound, black and while-. Rcliel on our housing |)ri)l)lc ni is expected soon. \ budget has been recpieslecl for the (omiiig biennium which will enable us to operate our motion-pic line |jroductions on a two-crew basis. We expect to add soundon-film e(|uipment. A considerable expansion of our ulidelilm production is also plainied. I'liese increases will enable us to expand our student training program -Jjoih the intern plan and the number of production courses given at the graduate level. When these plans are functioning, we will be able to work more adequately with our nni\ersiiy laculty to improve instruction on the campus and also to make it possible for the fatuity to extend their inlluence beyond the campus through the sharing of materials, cjn a sales and rental basis, with colleges, schools, and coinmunitx groups in Indiana and other states, and even with other nations in our world community. • Motion Picture Production AT THE OHIO STATE UNIVERSITY by Robert W. Wagner Department of Photography THE MOTIO.X PICTURE PRODUCTION unit of the Department of Photography at the Ohio .State Universitv produces four general tvpes cjf films: 1. Instructional Fi/wi— Production priority is given to the film which is tailor-made for instructional use in a department or college of the University. Films of this type produced at Ohio State include such subjects as: The Development of Cut Film; Principles and Practice of Effective Speech; Hereditary Variations in Coleus. 2. Research Films — The research (dm is typically a short, special purpose film which, while it may have a very small audience, serves as an instrument of science; e.g.. Rumination in the Bovine Stomach; Aspects of Eye Surgery; Action of the Human Vocal Cords; Pressure Chamber Studies, etc. 3. Public Information Films— An increasing number of films are being made to acquaint "the University family" — students, faculty, alumni — with the general progress of the institution. Largely documentary in nature, such films tell the story of the laboratories and lecture halls, record campus happenings; instruct and inform the public on the contributions of the University to the community and to the nation at large; e.g., The University and the War; The University in Transition; Footsteps to the Future; and Buckeye Ballad. A. Historical Reaird Films —The Department of Photography is responsible for maintaining a photographic history of the University in both .still and motion pictures. Negatives in the Photo-History vaults date back to the 1870's, and .S.'imm motion-picture records go back as far as 1918. Ecpiipment includes a Maurer recorder. Presto turntable, a synchronous projector, and a small sound studio. -Ml major productions are shot with motordriven C:ine-Kodak Specials. A\ailable are three Bell and Howell 70D.\'s, a Bolex-16, and an Eastman High Speed (3,000 frames per second) camera. Most productions are shot on reversal originals, although football assignments are shot on DuPont #2 negative for rapid processing and printing. The Department has a Houston processing machine and printer, but at [iresent, BY SEE & HEAR 7A .,