The self-enchanted : Mae Murray : image of an era (1959)

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3 ^iimi^i^^i^w^w^i^i^ 1 he stage of the New Amsterdam Theater at rehearsal time was like a ten-ring circus. The piano played incessantly, you stopped hearing the tune and heard only the thud. Lines of girls in leotards arched glided kicked stepped, arched glided kicked. Olive Thomas — and no one was as beautiful as this. Renowned artist Harrison Fisher called her "the most beautiful girl in the world" — walked in a slow parade from backdrop to footlights in blue chiffon and sable, carrying an enormous sable muff, on her head a hat of blue feathers matching the blue of her eyes. They were calm, wide eyes, fringed with thick brown lashes, and when she smiled her face had a shy light. She smiled now at blonde Justine Johnstone, who paraded in scarf and hat of white ermine, the hat tall as a drum major's, the scarf falling from a regal collar front and back leaving her smooth limbs bare and free. Veronica, the costumer, walked between them, eyeing these beauties critically as a ringmaster. In pink ruffled bloomers, dimpled Ann Pennington slid her leg along the bar and laughed wickedly at a word from Julian Mitchell who was working down front on a scene with George White. Kay Laurel 27