The self-enchanted : Mae Murray : image of an era (1959)

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said, "mechanical acting, dull direction, scenic sameneos. You don't know, Mae. I want you t: eeing pictures." m not interested in what others do. I study my pictures. I sneak into theatres and watch them over and see what they see. "You should know what's going on. Motion pictures can be a great art but the ar: en the industry is in a crisis. What's happened? Patronage has mounted at the box office, lamoring for films, yet three companies went out :: busmen this year and those left are turning out more trash than art. The industry has to decide — mass production or better pictures better produced. WeVe lucky with Lasky and Zukor. They're willing to spend money and get dimension. This location, for example. You, for example." A good deal of what he said about the industry was vague to her; so far as she « raa : :r.:erned, all that mattered was what they did together. Tou know all about boar: Eoo. You c: the thinking. IH d: the feeling." Ke bnghfd and accepted the divhi:r. :: labor. They felt very :l:.;e like: the days a: Tahoe. the l:r.g ride d:wn or. the train. He drcve he: home £::ru r.: statiar. as a matter oi cDurse. The phcr.e was ringing when they walked in. and Jenny was "Stay. I'll ;ust be 2 mement. Boo. Le: Jennv no;: us some h:oc:dze." L uIn Adah's name, what game are we playing: You left without saying good-by. You don't answer letters or flowers." "With 102: red-headed oue:::::"