The seven deadly sins of Hollywood (1957)

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THE SEVEN DEADLY SINS OF HOLLYWOOD Actually, Miss Mansfield regretted the meeting. She was afraid that as a result of the wide publicitygiven to this meeting she would be considered a Democrat and, therefore, would not be invited to the Republican parties. "That would be a pity, because Eisenhower gives such good parties," she said. It is all most embarrassing. I am lunching in the open air at Fouquets in the Champs-Elysees when a beautiful, dark-haired girl sits down two tables away from me. She has the sort of face and figure that completely takes my mind off my lunch. I keep looking at her and thinking that girl ought to be in pictures. She keeps looking at her magazine. Suddenly, she glances up at me — gives me a dazzling smile and beckons me to join her. Obviously she knows me. Presumably I should know her. I get up, go over to her table. Who is she? I am thinking desperately. Then as I approach her table I see the vital identifying clue. Her magazine is open at a double-page spread of pictures of Gina Lollobrigida (I can read the name) . In a flash I know. No girl, except La Lollo herself, would spend a whole lunch looking at pictures of Lollobrigida. It may seem inexcusable not to recognise Lollobrigida, the most publicised aspect of Italian life since Nero stopped throwing Christians to the lions and a more remarkable sight than the leaning tower of Pisa. But I have an excuse. There seemed to be so many Lollobrigidas around. When I first met her at the Cirque d'Hiver, the Paris 1 60