Shadowland (Sep 1922-Feb 1923)

Page scan 000369 from Shadowland

Record Details:

Title:
Shadowland
Date:
Sep 1922-Feb 1923
Publisher:
Brewster Publications, inc.
Volume:
Shadowland (Sep 1922-Feb 1923)
Leaf #:
000369
Language:
English
Collection:
Fan Magazines
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Monthly high end fan magazine described by Anthony Slide as 'very much a sophisticated publication, almost too good to be described as a fan magazine' (31). Its marketing slogan: 'The Handsomest Magazine in the Whole World.' Featured coverage of ballet, the stage, literature and architecture alongside Hollywood films and stars. Ceased publication in 1923 when it merged with Motion Picture Classic. -- Anne Helen Petersen, 2013. Secondary sources consulted: Inside the Hollywood Fan Magazine by Anthony Slide and MovieMags.com.
Date Added:
August 15, 2024
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Sculpture in Porcelain Five Examples of that Beautiful and Difficult Ceramic Work Called Pate-sur-pate Lois Whitcomb Rhead is the young sculptor who created these charming figures in ceramic sculpture. Mrs. Rhead is a member of the National Association of Women Painters and Sculptors, at whose exhibit her things were shown. Altho Pate-sur-pate is one of the most difficult mediums to work in, consisting of a cutting process, similar to a cameo, thru layers of white porcelain which have been superimposed on a blue base, Mrs. Rhead has chosen to specialize in it, and the results she obtains of white bas-relief against blue are exquisite. She has studied under Conrad Dressier, Leon V. Solon and Frederick H. Rhead, who was a pupil of Taxile Doat. Taxile Doat, the famous French maker of ceramics, adopted the Patesur-pate process after it had been developed in the Royal Manufactory of Sevres. Mrs. Rhead has also exhibited at the Architectural League, The Art Institute of Chicago, and the San Francisco Museum of Fine Arts Page Forty-Seven