Showmen's Trade Review (Oct-Dec 1944)

Record Details:

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} i '^TroUeySong^RecordingClangs End^27'Mout]i PetriUo Battle By' A bu3ier tnaied for quiet, a cut companies to 20 per pie-war use. Mr. Desfor present allotmeut.s are Wad per cent, swelled by vpch of old records. Solid. shej^^ oe Mi.s.s ! ords are ^pj/^t*. oat ][>-j]chk-^MS^ .a Citv Mav Boost ■ p mm North. Hardly any two factions could have so little in common. Cleavage Traccd^afik C. 1. 0. ^ »k Within Cc re!!' the ot:l j In ari I make only a capella recording j vocal backgrounds, the liad been ' tlie greatest ev* •red light fla.shld. Vaughn Monroe, i started his b\n on the down-|-^'^' cnnlv^n ouyers bein ibeat, and at tv\\ilv-eishi seconds i^f ^^ar plants .^eekuig re past l;43 p. m. \-,erday the fi,sc|>Play dunng workmg houii RCA Victor insi%i. «ntal phono Shellac shortage w graph recordings \i . venty-seven when tlie Federal governn: montlis were unde\ wa''. The ottering, amuned to the jive fans and Timed ilfr the Cirvistmas aade, was 'Vh^ Trolley Song," with blonde M»rylin Duke as vocalist with Mr. M Duke sang at the s East Twenty-fourth Siilet mun>^^;i'^iy ^(fi shoes and stockings.. "lY-*'^ ' -vrV^^ I get lower down and^^io, ^ V't>'^ No. 1 ON THE HIT PARADE! The Trolley Song blazes a box-office trail for "MEET ME IN ST. LOUIS"! WORLD PREMIERE ST. LOUIS— NOV. 22nd BROADWAY PRESENTATION ASTOR THEATRE— NOV. 2Sth M-G-M'S TECHNICOLOR JOY MEET ME IN ST. LOUIS' GETS NATIONWIDE FAME AS ITS HIT PARADE TUNE THE TROLLEY SONG " HITS THE HEADLINES/ IT'S ALREADY No. I ON THE HIT PARADE, AND NO WONDER THEY PICKED IT FOR THE FIRST recording; what A BUILD-UP FOR M-G-M'S GREAT show; mc Buy Bombs! Sock 'em with the 6 M