Showmen's Trade Review (Jan-Mar 1947)

Page scan 000669 from Showmen's Trade Review

Record Details:

Title:
Showmen's Trade Review
Date:
Jan-Mar 1947
Publisher:
[New York, etc.]
Volume:
Showmen's trade review
Leaf #:
000669
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Established in 1933 by Charles 'Chick' Lewis, who previously edited the 'Manager's Round Table' section in Quigley's MOTION PICTURE HERALD. Lewis originally called his new publication SHOWMEN'S ROUND TABLE, but after a lawsuit from Quigley, he changed the title to SHOWMEN'S TRADE REVIEW (STR). Over the next two decades, STR proved to be a formidable competitor to Quigley's HERALD and steadily grew in circulation. It's easy to see why exhibitors wanted to subscribe. STR's editorial voice, reviews of features and shorts, 'Box Office Slant' tips for how to promote movies, and concise and well organized 'Booking Guides' made it a trustworthy and highly useful magazine for exhibitors. -- Eric Hoyt, 2014
Date Added:
August 15, 2024
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ITICS CALL IT y of a gmlkr. 'This Wanger production stands to go places all along the line; realistically socks its message across and should rake in big 'takes'." — FILM DAILY GOOD f OR SUBSTANTIAL GROSS! i i L ... a strong, dramatic attraction . . . known in the trade as a woman's picture. The Type is persistently good for substantial grosses, and so is this one." —MOTION PICTURE DAILY 'It appears inescapable that this Walter Wanger production is destined for top grosses!" — BOXOFFICE "Smash-Up is gripping dramatization of the story of a female alcoholic. It will hold an audience, especially feminine contingent — and it looks like a certainty for smash boxoffice." — DAILY VARIETY m CARL ESMOND • CARLETON YOUNG • CHARLES D. BROWN Screenplay by JOHN HOWARD LAWSON ■ Additional Dialogue by Lionel Wiggam • Original Story by Dorothy Parker and Frank Cavett-Directed by STUART HEISLER • Associate Producer Martin Gabel • Produced by WALTER WANGER A UNIVERSAL-INTERNATIONAL PICTURE