Showmen's Trade Review (Oct-Dec 1948)

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Hi'. DAN DAILEY £K OAKIe] (HAVOC THE NAMES YOU SEE IN LIGHTS «lW^c«,W.. . .... . . BELONG TO PEOPLE! 4 4 Y ,ou may have wondered where your favorite stars get the deep feeling and warmth to put over a song or a dance or a love scene so that it remains your fondest memory for years "When My Baby Smiles At Me" tells you. They get it from their own lives. It is distilled out of their own experiences in what they proudly call "the profession." They get it from the heart because they are real people. Although I have seen many back-stage stories on the screen, none, in my opinion, has presented show people to the public with such realness, human-ness, tenderness and warmth as "When My Baby Smiles At Me." Naturally, I am prejudiced. But I know show business. I also know audiences. You, too, have a heart. It will be touched by this picture. El + George Jessel luj ft . A • 2 fc pi • * ft ... •■•mM-'^ MAGNIFICENTLY PRODUCED BY TO GIVE EVERY BOXOFFICE A