Silver Screen (Nov 1930-Oct 1931)

Record Details:

Title:
Silver Screen
Date:
Nov 1930-Oct 1931
Publisher:
[New York, N.Y. : Screenland Magazine]
Volume:
Silver Screen (Nov 1930-Oct 1931)
Leaf #:
000609
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals","Celebrities -- United States -- Periodicals","Motion picture actors and actresses -- United States -- Periodicals","Television actors and actresses -- United States -- Periodicals","Entertainers -- United States -- Periodicals
Collection:
Fan Magazines and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Date Added:
August 29, 2022
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If you can get into the Cocoanut Grove at the Ambassador on Tuesday nights, you're practically a star. "Bing" Crosby croons love tunes there with their EVENINGS M B arquis Busb y Jack Oakie and Stuart Erwin dance quite a lot. You frequently see at these places, Constance Bennett and Joan Bennett, seldom together, as the sisters aren't exactly passionately devoted; Marilyn Miller, when she is in town; Betty Compson, with Hugh Trevor or Grant Withers, depending upon which swain is in favor, and, of course, the active younger set. They are Arthur and Florence Lake, Sue Carol and Nick Stuart, Marguerite Churchill, Dixie Lee, Billy Bakewell, etc. That crowd, by the way, also goes in for beach suppers. There is nothing so appetizing as a hot-dog smothered in sand. "Bing" Crosby, the recording star crooning his love tunes at the Cocoanut Grove, is as popular in Los Angeles as is Rudy Vallee in New York. He draws a lot of picture customers to the Ambassador. Quite frequently the orchestras herald an entering star by an appropriate tune. I've heard them plav "Sweet Sue" for Sue Carroll; [Continued on page 70] for SnPTHMBER 1931 The Roosevelt, where sound started. All the song writers used to congregate here; but when theme songs went out, the song writers stopped coming in. But the Roosevelt manages to struggle along. (Left): The interior of the Roosevelt 21