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Silver Screen for February 1935
71
Well, I must admit there's a lot in what he says and I can think of many things worse than eating popcorn with Claudette on Thursday night— or any other night— with or without love.
Recently Wesley Ruggles, the director (and husband of Arline Judge) and Claude Binyon, the scenario writer, have been teamed for a series of pictures. This is their first under the new deal. Previously they have made "College Humor" and "Shoot the Works" together. There's no reason this shouldn't be as good or better than the others— especially with a star as eye-filling as Claudette.
At R-K-O
THE only things shooting at R-K-O are Hepburn and John Beal, who are entering their tenth week in "The Little Minister," and Ann Harding in "Enchanted April." Both sets are closed. The studio announces that Hepburn will sing in this picture!
At Fox
ONE picture going here, called "The Mystery Woman," featuring Gilbert Roland, John Halliday and Mona Barrie. Practically
Gilbert Roland, Mona Barrie and John Halliday in "The MysteryWoman."
everyone is a crook and each suspects the others. They might have called it "Cheating Cheaters"— except that that title has already been used. I think John, has just about convinced Mona that Gilbert is the crook. They're on an ocean liner and it is just pulling into New York harbor.
Gilbert meets the other two on the promenade deck. "Oh, here you are," he remarks. "The only two people aboard I haven't said 'goodbye' to."
Halliday looks at him and gives him the coldest of bows. Mona smiles but it is only a smile of good manners. "Goodbye," she says briefly.
"I'd like to say 'au revoir,' " Gil persists, "but, unfortunately, I'm only going to be in New York a few hours." That's what he thinks, I think to myself. I know these crook plays. He'll be caught surer than shooting.
"Really!" Halliday remarks, interested for the first time. Then he turns to Mona: "Don't you think we'd better look after our baggage?"
"Well, goodbye," Gilbert offers, shaking hands with Mona. "Goodbye, doctor," he adds as an afterthought.
This is one of the screwiest sets I've ever been on. Everybody connected with the picture is crazier than a March hare.
"How are you?" Gil begins when the scene is finished. "I haven't seen you in a year."
"He shows remarkable discernment," John Halliday puts in.
"And I haven't seen you," I remark to Mr. Halliday, "since I saw you on the New York stage in— in— "
"My first part in New York," he helps me out, "was in 'The Whip.' But, of course,
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