Silver Screen (Feb-Oct 1935)

lver Screen for June 1935 69 99 Which of these 'Mental ills do you fear most? STUBBORN STAINS Film absorbs stains from food and smoking.To remove these stains you must remove the film. 1 L.\ . : . remove dangerous Film tkir way. Si The King's Club, under its new management, aims to be one of those open all the time places, though at present it is getting its biggest play from the stay-up-laters who close the Trocadero and then wander in for a night cap or breakfast. Last week Guy Rennie inaugurated the tea and cocktail hour on the lawn in front of the club and it went over big with Betty Furness, Sally Blane, Polly Ann Young and lots of the younger set turning out for it, so, in time, this afternoon lawn party will become a part of Hollywood life, and the first of its kind in this neck of the woods. The bridge luncheons are next on the program, and if you have to play bridge I can't imagine a lovelier place to trump your partner's ace than the blue and white room with its white boxes of daisies, which Bruce Knox explained to me were really only old tin cans, but I never would have guessed it. The most fun the club has had since it opened was the night Clark Gable came in with a party of friends and recognized the cashier as one of his former standins. So there was nothing to do about it but that the bewildered and delighted stand-in must join the Gable party for a round of high-balls while Clark himself took charge of the cash register, and my, my, how he made it ring. Another important feature of that evening was the first appearance in any night club of Jean Parker.. Jean has been Cocoanut Groving it several times but she had never actually been in a night club until that night, but, after all, it was Bruce Knox who did her house for her so it was sort of like returning a call. Jean was accompanied by Robert Taylor, the wonder boy of the Metro lot, and girls, I breathlessly hasten to tell you that Bob is even more good looking off the screen than he is on. He and Jean have been running around together quite a bit lately, and it may be a romance. Janet Gaynor and Gene Raymond dropped in for dinner and a dance one evening, but refused to have their pictures taken, the meanies, but Lupe and Johnny, celebrating their last night together in Hollywood before Lupe started East, were more amenable. In fact ft looked like it was going to be one of those most unique things, a peaceful evening with the Weissmullers, but no— along about midnight Johnny stretched out his long legs, yawned and remarked, "I think I'll have ham and eggs for breakfast in the morning." "You'll have toast and coffee," responded Mrs. Weissmuller. "I'll have ham and eggs," snapped Johnny with great determination. "You'll have toast and coffee, shrieked Lupe—and the battle was on. Among the more or less dropper-inners for dinner, or a snack, or a snort are Joan Blondell and George Barnes, Carole Lombard and Bob Riskin, Peggy Fears and Felix Rolo, Nancy Carroll and Van Smith, Sylvia Sidney and Paul de Picon, French tennis player, Madge Evans and Tom Gallery, Fred Keating and Pat Ellis, Mary Carlisle and Eddie Hillman, Eddie Lowe and Marion Marsh, and Henry Wadsworth, Tom Brown, Cary Grant and Mischa Auer. Why it's only two-thirty and here we are lapping down our last night cap (California has a two-thirty bar closing law, the sissies) and I couldn't possibly go home before the milk man arrives, so lets drop by the Brown Derby for breakfast. I think I could surround a set of little thin hot cakes with maple syrup and little pig sausages on the side with the greatest of ease. I've written about the Brown Brothers so many times in this magazine that I guess by now you know that sooner or later, every day or night, you've just got to drop by the Brown Derby. Night clubs may come and go— and do— and other restaurants may flourish— and do— but the Brown Derby never loses its prestige nor its patronage. Managed by the OTHER tooth pastes or tooth powders may claim to attack film. Pepsodent's sole duty is to REMOVE FILM thoroughly, safely. To millions of people it is known as the one and only "special film-removing tooth paste." Why results are unfailing Pepsodent is unlike all others. Because the formula is different, it works in a different way to give different results. How? Pepsodent contains no soap, pumice, chalk or grit. The secret of its effectiveness is due to a revolutionary new cleansing and polishing material. This material is unexcelled in film-removing power. No other leading dentifrice contains it! Thus with Pepsodent you enjoy a unique way to keep teeth free from film— from food and tobacco stains. A way so safe that in impartial tests, Pepsodent has been found the least abrasive . . . therefore softest— of 15 leading tooth pastes and 6 tooth powders. So don't take chances on "bargain" dentifrices or questionable ways. Be sensible. Try Pepsodent. See for yourself how clean your teeth feel after only one brushing. Note how quickly that sticky film disappears . . . how much brighter your teeth look. And remember that clean teeth are one of your best safeguards against decay and dreaded dental ills. For proof of effectiveness and safety, use Pepsodent regularly twice a day. See your dentist at least twice a year. To help keep breath pure In many cases, offensive breath may be traced to decaying food particles between the teeth. Daily brushing with Pepsodent Tooth Paste helps remove these food particles . . . thus acts to combat one of the most common causes of unpleasant breath. 10% more Pepsodent in the new tube — dealers are selling it at a new low price! YOU GET MORE! YOU PAY LESS! PEPSODENT the Special Film -Removing Tooth Paste