Silver Screen (Feb-Oct 1935)

Page scan 000622 from Silver Screen

Record Details:

Title:
Silver Screen
Date:
Feb-Oct 1935
Publisher:
[New York, N.Y. : Screenland Magazine]
Volume:
Silver Screen (Feb-Oct 1935)
Leaf #:
000622
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals","Celebrities -- United States -- Periodicals","Motion picture actors and actresses -- United States -- Periodicals","Television actors and actresses -- United States -- Periodicals","Entertainers -- United States -- Periodicals
Collection:
Fan Magazines and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Date Added:
August 22, 2024
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PERSONALITIES PUT OVER Great Pictures It Isn't The Plot, It Isn't The Dialogue, It Is Emotional Sincerity That Makes Pictures Live. WHEN Luise Rainer came through with a bang in "Escapade" many remarked that half the pleasure was due to the fact that she was a newcomer. We were delighted with her charm and freshness. But an actress cannot stop after one picture, so, when the players are making one picture after another the problem is to make each characterization a convincing one. There is one answer to this, and that is personality. If a star can put force behind his smile, his frown and his love making, every character becomes a living one, fascinating and never tiresome. That's personal, emotional sincerity. The Three Musketeers— Onslow Stevens, Moroni Olsen, and Paul Lukas — with Walter Abel as D'Artagnan. Gary Cooper and Ann Harding, veteran troupers both, are making "Peter Ibbetson," the Du Maurier classic. In "Black Bill Powell and Rosalil a fascinatii'